The Definitive Watchlist For Devotees of They Like 'Em Rough: Cult ...

Dir: Edward LeSaint

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: Harry Beaumont

A visual fragment from the archive: The thematic resonance of One of the Finest perfectly mirrors the editorial trajectory of our deep dive.

A police patrolman must overcome enormous odds, including the apprehension of two villainous characters, before he can marry the girl of his dreams, the daughter of a millionaire.

Dir: Harry Beaumont

Wealthy Easterner Dick Latham, determined to disprove his father Amos' accusation that he is an idler, rides the rails West to the mining town of Twin Bridges. Hugh Godson, the town's corrupt political boss, appoints Dick sheriff, supposing him an easily manipulated tenderfoot. To Godson's dismay, Dick proceeds to clean up Twin Bridges, closing the saloons and gambling dens, and forcing even the most hardened miners to attend church. Godson schemes to cheat Rosa Crimmins and her ailing father out of their ranch, which is rich in gold deposits, but Dick foils the plot and makes Rosa his deputy. When Dick learns that some rich Easterners are gambling in the hotel, he arrests them all, despite the fact that his father is among them. Amos, proud of his son's newfound manliness, buys the Crimmins ranch and gives his hearty approval to Dick and Rosa's romance.

Dir: Harry Beaumont

A visual fragment from the archive: The thematic resonance of Go West, Young Man perfectly mirrors the editorial trajectory of our deep dive.

Lord and Lady Algy separate on cordial terms, after he breaks his promise not to gamble again on the horses. When the wife of soap magnate Brabazon Tudway, is courted by Algy's philandering elder brother, Algy tries to help his brother escape Tudway's wrath by hiding Mrs. Tudway in his apartments. Tudway discovers her there and is about to accuse Algy when Lady Algy appears and, believing Algy to be innocent, tells Tudway that his wife was there to meet her. Although Algy and his jockey disgrace Lady Algy by getting drunk at a masked ball on the eve of the Grand Derby, the race in which Algy plans to stake his entire fortune on his pet racehorse, Lady Algy saves his fortune by betting her own money on a dark horse that wins. Algy know penitent, swears he will give up gambling forever, thus reuniting with his loving wife.

Dir: Harry Beaumont

Finding himself broke and out of a job in Paris, American William Ruggles joins the Turkish army and is sent to fight in its war in the Balkans. During a particularly hard-fought battle, he rescues a wounded Turkish soldier. Before he dies the Turk, out of gratitude, leaves William his fortune--but with the proviso that he take care of the Turk's three beautiful young wards. After he leaves the army, William and the three young girls--Roxana, Rosa and Bulbul--move to Paris, where William meets up with young Ruth Downing, the daughter of his former employer. They fall in love, but Roxana--who is also in love with William--is determined that nothing will stand in the way of her getting him and she will do whatever it takes to achieve that end.

Dir: Harry Beaumont

A visual fragment from the archive: The thematic resonance of Lord and Lady Algy perfectly mirrors the editorial trajectory of our deep dive.

Having followed the road of romance through many countries, Lord Quex finally falls in love with Muriel Eden. After resisting Lord Quex because of his reputation, Muriel finally capitulates to his charms and agrees to marry him. In her heart, however, Muriel still treasures an affection for Caption Bastling, a fortune hunting womanizer, and when Muriel is told of Lord Quex's continuing contact with the Duchess of Dowager, a situation brought about through the scheming of the Duchess, Muriel turns to Bastling and agrees to meet him at her friend Sophie Fullgarney's manicurist shop. There, Sophie, who has discovered Bastling's true nature, exposes the captain by flirting with him as Muriel arrives for her rendezvous. Seeing Bastling faithlessness makes Muriel realize that Quex is the man for her.

Dir: Harry Beaumont

William Manning Skinner, having attained a junior partnership in the firm of McLaughlin and Perkins, aspires to higher things. He figures that by working for himself he can become the Napoleon of the industrial world. He resigns his position and sets up in business for himself on a big scale. Skinner runs onto the verge of bankruptcy. He neglected to note that the prestige of the old-established firm he left had been largely responsible for his past success. Does he confess his failure to Honey, his adoring little wife? No. He informs her casually he is making money so fast he cannot count it. Honey confides to Mrs. McLaughlin, who in turn tells her husband. McLaughlin and Perkins decide they have made a tremendous mistake in letting Skinner get out of the firm. So it happens that just as Skinner is preparing to go into bankruptcy, a miserable failure, the partners make him a staggering offer to become again a member of their firm. It was Skinner's bluff that did it, coupled with Honey's unfailing belief in her husband's Napoleonic might.

Dir: Bruno Ziener

A visual fragment from the archive: The thematic resonance of Filling His Own Shoes perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Harry Beaumont

DR. John Lancaster lives in dread of a family secret from his past being exposed, and makes him act in irrational ways, even with his fiancée Joan Wentworth.

Dir: Harry Beaumont

Tom Brown shows up at Harvard, confident and a bit arrogant. He becomes a rival of Bob McAndrew, not only in football and rowing crew, but also for the affections of Mary Abbott, a professor's daughter.