Deep Archive Finds in the Vein of Three Married Men: Cult Guide

Dir: Robert Thornby

Mary Willard takes over her father's railroad after his death. Her major competitor is a ruthless crook named Harvey Judson. She arranges for Judson to be kidnapped and taken to an isolated spot deep in the forest and turned loose to fend for himself. She accompanies the kidnappers to the wild and Judson, not knowing who she is, begins to fall in love with her. Complications ensue.

Dir: Vernon Stallings

A visual fragment from the archive: The thematic resonance of The Great Cheese Robbery perfectly mirrors the editorial trajectory of our deep dive.

Krazy Kat is held in jail and Ignatz finally bails him out after encountering "guilt".

Dir: Reggie Morris

A fascinating piece of cinema that shares thematic elements.

Dir: Roy Clements

A visual fragment from the archive: The thematic resonance of Striking Models perfectly mirrors the editorial trajectory of our deep dive.

A man agrees to marry the daughter of a deceased friend - who is, in fact, being impersonated by the servant girl of the daughter, who has also already died.

Dir: Malcolm St. Clair

A dancing instructor gets involved with a newly rich family.

Dir: Maurice Campbell

A visual fragment from the archive: The thematic resonance of The Tiger's Coat perfectly mirrors the editorial trajectory of our deep dive.

Carver Endicott, a young sophisticate, is rejected by his fiancée for being too foppish and dull. When she feigns an interest in his father, Carver attempts to disgrace his family name by working as a farmhand and later as a busboy in a hotel. However, the newspapers only praise him for his self-sacrificing principles; and finding that he cannot bring shame to the family through menial labor, he takes up with a notorious actress. But when this maneuver also fails, he returns to his former fiancée, who has no further complaint about his being an inexperienced dullard.

Dir: J. Gordon Edwards

William Farnum is Drag Harlan, a tough cowboy vigilante. After learning about a gold mine from a dying man, he seeks his daughter (Jackie Saunders) as well as the gold. He falls in love with her, but the same gang that shot the old man is after the gold.

Dir: Jacques Jaccard

A visual fragment from the archive: The thematic resonance of Don't Weaken! perfectly mirrors the editorial trajectory of our deep dive.

Douglas MacLeod of the Royal North West Mounted Police is in love with Suzanne Foucharde, who has adopted an abandoned Indian baby, the illegitimate child of Louis La Rocque and Na Fa Kowa. When La Rocque insinuates that the baby is Suzanne's, her brother Henry defends his sister's honor and kills the villain. In spite of his love for Suzanne, it is Douglas' duty to arrest Henry. He does so, but later allows him to escape, taking the bullet himself that was fired after Henry by Constable Burke. Meanwhile, the dead body of Na Fa Kowa is found, accompanied by a note proving that the Indian was the baby's mother. In the spring, when Douglas recovers from his wounds, he and Suzanne are married.

Dir: Maurice Elvey

A lady marries a horse trainer but withholds herself until her crippled brother is cured.

Dir: Lloyd Ingraham

While walking along the street one day, Arthur P. Hampton, an impoverished young doctor, and his chums, Stub Masters and Johnny Stokes, are persuaded to part with their last remaining funds by tag day solicitor Mary Jane Smith, with whom the doctor promptly falls in love. Doc's friends then hit upon a get-rich-quick scheme. Knowing that his Uncle George has promised a large sum of money upon his nephew's marriage, they persuade Doc to send out fake wedding invitations naming Mary Jane as the blushing bride. Uncle George, elated at the good news, writes to Mary Jane's aunt, Angelica Burns, an old sweetheart, to invite Mary Jane and Angelica to be his guests on an ocean voyage. Meanwhile, Mary Jane pays a visit to the doctor's office and, upon seeing the wedding invitations, becomes so flustered that she trips and sprains her ankle. Doc comes to her rescue and then begs her to pose as his wife. She agrees, but at ship-side, Stub and Johnnie confess all to Uncle George, who flies into a rage until Doc announces that he and Mary Jane have chosen a wedding at sea.