Cinematic Discoveries Following the Footsteps of Thundergate: Cult ...

Dir: Joseph De Grasse

A young author is so overjoyed at selling her first book that she unknowingly signs over all her rights to the greedy publisher. Later, after the book becomes a best-seller, the publisher's nephew (who has fallen in love with her) tries to help her get her rights back.

Dir: Joseph De Grasse

Joe Lawson, a corrupt gold miner, kills his partner, his partner's wife and his own wife for the mine, and steals his partner's child, while abandoning his own child. He starts an outlaw town. 20 years later, his son returns as does his partner, who's not really dead, but is rather unhappy.

A visual fragment from the archive: The thematic resonance of Pay Me! perfectly mirrors the editorial trajectory of our deep dive.

Dir: Joseph De Grasse

Priscilla Glenn is a product of the woods, a wild, impulsive, nature-loving child. Her father is her antithesis, seeing none of the beauties of nature, thinking women only creatures to be browbeaten. Between her mother and herself there existed a strong bond of love and understanding, understanding that they were companions in the same misery and unhappiness. Priscilla had to fight for an education. At last, through the efforts of Anton Farwell, the schoolmaster, Priscilla had the opportunity of beginning her education. For a rest there came to the spot Mrs. Travers and her crippled boy, Dick, and later a specialist, Dr. Leydward, who was to eventually straighten the crooked limbs of the boy. Priscilla and Dick met and a romance between the two was begun. Jerry Jo, a half-breed, coveted the girl, and lured her to a house on the hill where there was a library. Although the girl was as sweet and pure when she returned home the next day her father sent her from his roof. Priscilla went to her only friend, Anton Farwell, and together they started for a new country. For Farwell was hiding from the world. In the long ago he had loved Joan Moss, and for the love of her killed the brother of Dr. Leydward. Before Priscilla and Farwell had gone far he received word that he must choose the alternative of living buried in the woods or in prison. So Priscilla went on to find her way alone in the big city with the mission to look for Joan. Priscilla devoted her life to the care of the sick, and so once more she and Dick Travers met, and worked hand in hand for suffering humanity. It was thus that she knew Dr. Leydward and his daughter, Margaret, who was to wed Clyde Hunter. One day as Priscilla was strolling in the park she saw Jerry Jo, now a nondescript beggar. Towards him she bore no malice, but a strong desire to make life happier. On following Jerry Jo to the tenement room he called home, some of the inmates mistook her for an angel of mercy for a dying woman, who was none other than Joan. From her lips she learned that the crippled child belonged to the affianced of Margaret Leydward, and also secured Farwell's exoneration. She showed Leydward and Margaret the true type of the man the latter was about to marry. Then she wandered back to the "place beyond the wind" to find comfort and peace. She found that her mother had died and her father had been stricken blind and still refused to own her as his own flesh and blood, and a second time sent her from his home. And then, crushed and wounded, she again found solace in her old friend, Anton Farwell, who a short time previous had returned to his home. To Farwell she told of the finding of Joan, but left with him his ideal of her, of her trueness and worth of trust. Priscilla returned once more to her little sanctuary in the woods, where she had erected her own altar to her own God, and where, too, she first met Dick. And there he found her. For realizing his love for her, he had followed her to the "place beyond the wind" and for a second time, with his old violin he started a new spark in the life of tho one woman, the one whom he would cherish and love and protect as long as time went on.

Dir: Joseph De Grasse

After divorcing his first wife and marrying a more gentle natured woman, Ralph Hadley finds himself again attracted to his ex-wife, a shrewd business woman. Trouble begins when he foolishly invites her to lunch, setting gossipy tongues-wagging. The news reaches his devoted wife who has discovered she is pregnant. She confronts the ex-wife who agrees to never see Ralph again and marries another admirer. Devasted, Ralph decides to kill himself ,luckily he is found in time by the doctor with the good news of the birth of his child. Ralph regains his senses and the couple are happily reunited.

A visual fragment from the archive: The thematic resonance of The Place Beyond the Winds perfectly mirrors the editorial trajectory of our deep dive.

Dir: Joseph De Grasse

In pre-Civil War days, a woman dies in childbirth. Her sister, believing the child to be illegitimate, leaves the baby in care of one of her sister's slaves.

Dir: Joseph De Grasse

Nenette Bisson, who dances in her father's French restaurant in New York, takes a joy ride with "Kink" Colby in a stolen car, and is shot in the shoulder by a pursuing policeman. The driver leaves her at the hospital of David Kendall, with whom she falls in love, but he, believing French women to be frivolous, does not return her affections. Nenette's parents turn her out when they learn of her trouble with the police, after which she becomes a success on the stage. David serves overseas for two years during World War I and there learns to appreciate the valiance of French women. On his return, he proclaims his love for Nenette and helps her achieve a reconciliation with her parents.

A visual fragment from the archive: The thematic resonance of The Piper's Price perfectly mirrors the editorial trajectory of our deep dive.

Dir: Joseph De Grasse

An unusual story about the crossing paths of the poor Italian family of sculptor Giovanni (Lon Chaney) and reckless American millionaire, Cyrus Kirkham (Gilmore Hammond). Louise Lovely plays two parts: Giovanni's wife Leonita, who comes to grief when Cyrus falls in love with her; and Giovanni's daughter Elisa, whose beauty brings a horrific resolution to the two families' woes.

Dir: Joseph De Grasse

Young ballet dancer Bobbie Brent has lost her parents and must care for herself and her younger brother and sister. To keep the children, she pretends that they are her own children and not her siblings. Jack Stinson, her boyfriend, is aghast at this deception and breaks up with her. However, Jack's old girlfriend Velma is still jealous of Bobbie and comes up with a scheme to get rid of her once and for all so she can have Jack all to herself.

A visual fragment from the archive: The thematic resonance of The Grip of Jealousy perfectly mirrors the editorial trajectory of our deep dive.

Dir: Joseph De Grasse

After discovering that Cyrus Peabody, the president of the bank, and his son Ernest have embezzled $35,000, their cashier, Paul Revere Forbes, threatens to expose them. In a rage, the two men strike him on the head and, persuaded that the busybody is dead, ask their broker to dump the body off in a deserted place. But the broker has an accident and is killed in the crash. The cashier, who was actually still alive, comes to and, while suffering a loss of memory, wanders off. Still believing their employee dead, the Peabodys accuse their cashier of having stolen the money. But Beatrice Forbes, Paul Revere's daughter, and her boyfriend, idle-turned-responsible Billy Winthrop, are on the alert.

Dir: Joseph De Grasse

Louis and August Siever, twin sons of a German father and American mother, are traveling through Europe when war breaks out. August joins the Kaiser's army, while Louis, a loyal American, is trapped in Berlin for a year while he tries to prove his citizenship. After a violent confrontation with Louis, August steals his brother's passport and leaves for New York City with Gerda Anderson, a German spy. Louis also returns to the U.S., and sometime later is invited to a weekend party on Long Island by his wealthy friends, the Waynes. When August and Gerda learn of the event, they rent a nearby house and invite all of the Waynes' guests, including Louis, to a "mystery" party. Upon their arrival, the women are held prisoner and ransom notes are sent to their husbands via carrier pigeon. Shirley Wayne and Louis track down and are captured by the kidnappers. Meanwhile, Mortimer Eddington, an amateur detective, devises a method to trace the pigeons back to the house. Before Shirley and Louis come to harm, police officers arrive and demand the Germans' surrender.