Deep Archive Finds Movies That Echo the Spirit of Tomorrow's Childr...

Dir: Harley Knoles

Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.

Dir: Edward LeSaint

A visual fragment from the archive: The thematic resonance of A Sister to Salome perfectly mirrors the editorial trajectory of our deep dive.

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: Robert N. Bradbury

A simple country girl, brutally mistreated by her stepfather, awakens first the sympathy, then the love, of The Boy. The Spider, who lusts after The Girl, makes a bargain with the stepfather and takes her to the city where, kept prisoner, she is soon broken in health and spirit. Cast out and near death, she is taken in by The Boy. Following the demise of The Spider, The Boy takes her to church, where he prays, and after many hours she is restored to health.

Dir: Edgar Jones

A visual fragment from the archive: The thematic resonance of Into the Light perfectly mirrors the editorial trajectory of our deep dive.

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Wilfred Lucas

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

Dir: Maurice Elvey

A visual fragment from the archive: The thematic resonance of In the River perfectly mirrors the editorial trajectory of our deep dive.

A lady marries a horse trainer but withholds herself until her crippled brother is cured.

Dir: Frank Beal

During a raging Montana snowstorm, Doctor Jim Barnes collapses at Esther Anderson's cabin door. Esther offers Jim refuge, but when he discovers that their food supplies are running dangerously low, he braves the journey into town in order to replenish them. On the way, he is overcome with exhaustion and fails to return. Esther, unaware of Jim's condition and abused by her stepfather, joins a theatrical troop and leaves home. Time passes and Jim finally finds Esther, but a vindictive member of her troupe accuses her of having an affair with the manager and Jim believes the accusation. He leaves and Esther goes to New York City where she becomes engaged to a jealous artist, although she still loves Jim. Sam Tuttle, a long time friend, is aware of Esther's continuing love, and so brings Jim to New York City in time to save Esther from an unhappy marriage.

Dir: Bruno Ziener

A visual fragment from the archive: The thematic resonance of The Jackeroo of Coolabong perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Crane Wilbur

John David, a spender, promises marriage to the Worldly Woman. He suggests by letter that their engagement be announced at a big dinner he will give. The Worldly Woman is also admired by the Libertine, who calls at the Worldly Woman's apartment and is admitted by a Japanese butler whom he abuses, arousing a hatred which the Jap keeps well under control. The Libertine attempts to make love the Worldly Woman but she holds him off by flaunting David's offer of marriage in his face. When she leaves the room the libertine turns his attentions to a Japanese maid, the wife of Yamato, the Jap butler. His attempt to caress her frightens her and she screams, bringing Yamato into the room and between the two struggling people. The Libertine slaps Yamato across the face for what he terms insolence. The little Jap bows his way out but with suppressed anger in His heart. The night of the big dinner arrives and John announces his coming marriage. One of the suddenly discovers that there are but thirteen people at the table, and John leaves the party to go out and find the fourteenth. He chances to meet the Wanderer, an individual he once knew but who he does not recognize. John meets a pretty girl and grabs her by the arm and begs her to join his party. The Wanderer makes John let her go. John is furious but the soothing words of reproach of the Wanderer change his mind, whereupon he smilingly admits his wrong, gives him his hand and takes him to the banquet room. The newcomer is greeted with hilarity and is called upon to speak. After a toast he turns to John and quietly but forcibly berates him for his waste. He describes how this waste would give life to starving families and as he finishes a butler enters with a telegram which reads: "Cut expenses immediately. Your entire fortune swept away. Letter explains." The guests leave, and John is left alone with the Wanderer, and he asks the Wanderer's identity. The Wanderer answers: "I am your conscience." Thereafter the Wanderer is called Conscience. John and Conscience go to the home of the Worldly Woman, Conscience remaining at the door. John discovers her in the arms of the Libertine. She says that the Libertine is now her accepted lover. John attacks the Libertine and flinging him over a couch attempts to throttle him. From under the draperies of the couch a brown hand steals. It clutches a long needle which it plunges into the neck of the Libertine. The head of the Libertine falls back dead. John thinks he has strangled his adversary. He and Conscience leave for the west. Days pass. On the train he reads in a newspaper that evidence points to the Woman's guilt and that she has been indicted for murder. The presence of Conscience torments him and to escape he leaps from the train and boards a freight train going in the same direction. Conscience follows, however. They take refuge in an open coal car where they are held up by two tramps and forced to exchange their clothing and to give up their valuables. The town of Laurel Run is in the throes of excitement, a string of horses belonging to the sheriff having been stolen. The unknown criminal is the Gambler and he has sold the horse to two Mexicans. One of the horses, a pony, and the Sheriff's favorite mount, escapes the Mexicans and wanders into an open plain. John and Conscience, discovered by the train crew, are thrown from the car and wandering along come upon the pony. John mounts it and with Conscience at his side, goes to Laurel Run. The sight of two vagabonds entering the town, one of them riding the Sheriff's pony, is positive proof to the villagers that the strangers are the thieves; that is, all except the Sheriff's daughter, the postmistress of the village. Instinctively she feels they are innocent. The Gambler proclaims that they be punished, and incites a mob to wreak its vengeance. The Girl steps in, however, and at the point of a gun stays them off, pending the return of her father, who, with a posse, has gone after the thieves. Meanwhile the Sheriff returns with the stolen horses and the crowd's temper changing, it disperses. In time John becomes a popular citizen. He has fallen in love with the Girl, much to the chagrin of the Gambler. Through the Girl's efforts John gets a place as a rural free delivery letter carrier. Meanwhile the Gambler's antipathy for John has increased, and he attempts to find a way to discount him in the eyes of the Girl. One day he spies John intently reading a newspaper which carries a story to the effect that the Woman had been acquitted in the Libertine murder case and that a search has been instituted for John David, whom she has accused. John hurries away leaving the paper lying on the ground. The Gambler picks it up and divines through the story the cause of John's agitation, wires the New York police department of John's whereabouts. John proposes marriage to the Girl and is accepted. Some days elapse when a long legal-looking envelope addressed to the Sheriff arrives. John discovers it as he sorts the mail. Fearing the worst, he succumbs to temptation, opens it and finds an announcement of a reward for his capture. Resolving to keep his secret he places the envelope in his pocket. Later a stranger arrived in the city. His mission was unknown, though he posed as an automobile salesman. The Gambler, still alert for evidence, shadows John and one evening finds him alone in his cabin gazing meditatively at the reward sheet and the photo of the Girl laying on the table before him. The Gambler enters and at the point of a gun obtains the sheet. A fight follows, a lamp is knocked down, the house is set into flames and John, after overcoming the Gambler, escapes just before the house collapses. The next day John and the Girl are to be married. The Stranger enters the post-office, obtains his mail from John and leaves. At noon the wedding ceremony is held. In the midst of it John suddenly draws back in horror and shouts that the marriage cannot continue, that he is a murderer. At this point the Stranger introduces himself to the Sheriff as a detective, and taking from his pocket a letter from his chief reads an announcement of John's innocence; that the Libertine was killed by Yamato, who confesses on his death bed. So the Conscience of John David was satisfied and glorified. John turns to go out but the Girl holds out her arms to him and the Sheriff clasps his hand and gently moves him into the arms of the Girl.

Dir: Eduardo Notari

A crime drama in the Gennariello-series. The police detective in Naples that is confronted with modern gangsters and crime events.