Deep Archive Finds in the Vein of Trilby: Cult Guide

Dir: James Young

Ted Vandeveer, a lawyer without clients, receives notice that he has been included in his rich uncle's will, he and his partner, James Sweeney, are excited, then they find that Ted's cousin Archie inherited nearly everything. With the $700 left after paying their creditors, Ted and James go to a fashionable resort, where the hotel clerk mistakenly puts them in the exclusive suite reserved for Archie. Passing for a wealthy man, Ted attracts many eligible girls, among them Mildred Niles, the daughter of a wealthy broker. After Mildred and Ted become engaged, James encourages him to elope before the money runs out. When Mildred's father announces that he lost his fortune in the market, Mildred's mother persuades Mildred to elope before the news is known. Three days into their honeymoon, Mildred and Ted mutually confess their poverty and unable to pay their hotel bill, until Ted learns of a codicil to the will stating that he really inherited a million dollars. It was intentionally kept secret until he married so that no woman would marry him for money.

Dir: James Young

A visual fragment from the archive: The thematic resonance of On Trial perfectly mirrors the editorial trajectory of our deep dive.

Robert Strickland, the self-confessed murderer of Gerald Trask, refuses to defend himself on the witness stand. His attorney, however, cross-examines Strickland's wife and by questioning his daughter Doris as well, he exposes the fact that years earlier Trask had seduced Mrs. Strickland. This evidence is sufficient to call for a verdict of not guilty from eleven of the jury, but the twelfth member holds out because money disappeared from Trask's safe the night of the murder, and evidence points to Strickland as the thief. When Glover, Trask's secretary, is cross-examined, however, he breaks down and confesses to the robbery, thus clearing the way for Strickland's acquittal and his reunion with his family.

Dir: James Young

With the electric-ray machine that he invented, a scientist brings his daughter back to life after she dies in a car crash but he fails to revive her soul at the same time.

Dir: James Young

A visual fragment from the archive: The thematic resonance of Lola perfectly mirrors the editorial trajectory of our deep dive.

An orphan named Oliver Twist meets a pickpocket on the streets of London. From there, he joins a household of boys who are trained to steal for their master.

Dir: James Young

In Tokyo, Japanese poet Akira loves American Ruth Vale, who was placed in Akira's father's care when her missionary parents died. Ruth returns Akira's affections until she meets Edward, but the American proves an unfaithful husband. Three years later, Ruth is gravely ill while Edward amuses himself with his new lover, Adrienne Chester, but Akira comforts the dying woman with the promise that he will protect her little daughter Blossom. Later Edward marries his mistress, and with Akira in charge of Blossom, they return to America, where Adrienne renews an old affair. When Edward discovers his wife with her lover, he kills him, but Akira accepts the blame to shield Blossom from humiliation. One night Akira breaks out of prison to visit Blossom and although a guard shoots him, he manages to reach Blossom. Carrying her in from the rain, Akira plays with the child until his strength finally deserts him and he dies.

Dir: James Young

A visual fragment from the archive: The thematic resonance of Oliver Twist perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: James Young

College friends Percy Darling and Richard Kettle take their new wives on board a boat going from New York City to Albany. Just before sailing, however, Mrs. Kettle and Percy realize that they have left some baggage on shore, and so rush out to get it. The boat leaves without them, and a distressed Mrs. Darling and Richard, left in each other's company, decide to pose as husband and wife to prevent a scandal. When the boat docks, they learn that the last train has left, and so they hesitantly check into a hotel as a couple and spend the night together. The next day, Mrs. Kettle and Percy track down the "newlyweds" and are shocked to see them in the hotel lobby, arm in arm. The ruse is quickly explained, and the correct couples are soon sorted out.

Dir: James Young

A visual fragment from the archive: The thematic resonance of The Temple of Dusk perfectly mirrors the editorial trajectory of our deep dive.

One of the customs in the Breton island of St. Batiste is the lashing of any woman involved in a extra-marital affair. As a result, when Sidonie (Marie Doro) starts an affair with English vacationer Warren Harding (Elliott Dexter), the townsfolk prepare to mete out punishment. To avoid it, Sidonie elopes with Warren, but when she finds him making love to another woman, her first response is conditioned by her upbringing, and she attacks the woman with a whip. Afterward, Sidonie returns alone to St. Batiste, and gets ready to accept her lashing. Just before her public humiliation, however, Warren arrives and refuses to let the whipping take place, after which he pledges to remain faithful to Sidonie.

Dir: James Young

Helene Marie, on the run from the Russian police in St. Petersburg, plots to kill the Czar.

Dir: James Young

After her parents death, young southerner, Barbara King, must now live with her uncle Rufus Jamison, who reminds the girl of her mother wasted life when she married an artist. Rufus forces Barbara to do housework to support himself. One day, Barbara sneaks away to exhibit her father's latest work, she meets the artist Gordon Carroll and his father, the governor. When Uncle Rufus discovers Barbara's secret studio in the attic, he destroys the statue of his father, and Barbara then fatally stabs him with a candlestick. Barbara is convicted, sentenced, and sent to a prison.