Editor's Top Picks Following the Footsteps of Twinkletoes: Cult Guide

Dir: Charles Brabin

The son of millionaire James Carter, Vantyne deliberately shuns work, which sickens his father, he decides to test his son's ability to become self-sufficient. Carter, Sr. has his lawyer report that he has been killed on a hunting trip, and at the reading of the will, Van learns that, unless he can support himself within six months with only an old farmhouse left to him as working capital, he will lose the family fortune to his cousin Teddy Brown. Van immediately gets busy and, with the help of Arizona Brown, a visiting Westerner with whom he has fallen in love, turns the old farm into a thriving and very fashionable resort. His chance of becoming a millionaire fading fast, Teddy arranges with actress Edith Trentoni to ruin the hotel's reputation by means of a kitchen strike and a jewel robbery. He succeeds, but old Carter finally appears to turn the villain out and proclaim Van and Arizona a successful team.

Dir: Charles Brabin

They were twins, and the passing years had in the sifting melting-pot of life. William looms brilliantly, a success, while John is deep in the discouraging shadows, a failure. Another span of fleeting years, and William attains the summit of a meteoric career; he is a candidate for the United States Senate. John (under an assumed name so that his brother is spared the relationship of the black sheep) holds a modest newspaper position in the same city where William's campaign is centered. William falls sick and John, taking advantage of their resemblance, addresses an important meeting and sweeps the audience into frenzied enthusiasm. Sensing in John that which she has always missed in William, the latter's sweetheart confesses her love, thinking, of course, that she is speaking to William. Soon John finds himself facing the fact that he loves his brother's sweetheart. Fate's law is Heaven's justice; William is found dead by John, and what would have been his brother's now becomes John's, as a reward to his genius.

A visual fragment from the archive: The thematic resonance of The Price of Fame perfectly mirrors the editorial trajectory of our deep dive.

Dir: Charles Brabin

Henry Burgess favors a match between his ward, Virginia Parke, and his nephew, Peter Warburton, but she is only interested in her poodle, Frou Frou, and Peter devotes all of his attention to his business. To bring them together, Uncle Henry rents twin babies of the laundrywoman, Bridget McGroghan, placing one on Peter's doorstep and the other on Virginia's. Each discovering that the other has a baby, Peter and Virginia soon begin to share their views on child rearing and matrimony, and are about to become engaged when the babies disappear. Michael McGroghan, the twins' father, hires a pair of crooks to kidnap the babies so that he may collect the $25,000 bond that has been put up by Henry for their safe return. Peter, however, tracks down the kidnappers, and after the infants are returned to their grateful mother, he and Virginia look forward to having their own babies.

Dir: Charles Brabin

Babette is living with her father, the jailer and hangman in the castle-jail at La Fourche. Raveau, a criminal, comes to the castle and meets her. Her sweetness and purity cause him to realize his form of life is an empty shell. He even restores a necklace purloined from a tourist. Later he and Babette realize their love for each other. Their wedding is celebrated with much pomp. Guinard, a detective, turns up. Realizing his danger, Raveau convinces his wife that their friends are planning to separate them, and gets her to escape with him. They elude Guinard. In Montmartre, Raveau and Babette are like two doves. He again takes up art. But his work is not up to date and he finds the purse growing slimmer. When Babette shyly confesses that there will be another mouth to feed, and that she has given much of their store to Fifine, a "Quarter" girl, whose husband is just coming from prison, Raveau realizes how desperate is his need. He tries once more to sell his wares, without success. An appeal to an old partner brings a turn-down. Raveau then steals banknotes from a man in the post office. Guinard turns up after the baby is born. Without letting Babette know of his crime, Raveau parts from her, saying he has a commission which may take him away for a long time, but in the Commissionaire's office he learns his prosecutor is the husband of a woman to whom he had restored the money won at a gaming salon just before his marriage. The man refuses to recognize Raveau as the thief and he returns to Babette to say he has passed up the commission and will stay with her always, and Babette is happy in her husband's love, ignorant of his sacrifice for her.

A visual fragment from the archive: The thematic resonance of A Pair of Cupids perfectly mirrors the editorial trajectory of our deep dive.

Dir: Charles Brabin

Though the Turk has 15 wives, he yearns to make our heroine his 16th.

Dir: Charles Brabin

A feud has existed between the McLanes and the Conovers in the Tennessee mountains for many years. "Two Gun Carter" leaves Texas after a shooting fray and arrives just in time to witness George Conover's death at the hands of Henry McLane. Carrying young Conover's body to his family, Carter is very moved by their grief that he agrees to become their adopted son and subsequently falls in love with Marian Conover. In an attempt to put an end to the feud, Carter suggests a duel between himself and Henry McLane, but Henry refuses, and so, to uphold his family honor, Tom McLane, the clan leader, accepts the challenge. In the midst of the match, news arrives that Henry has abducted Marian. Carter rushes off and rescues Marian just as Henry and his horse plunge over the edge of a cliff. Carter then demands that an end be put to the feud as he himself was a born McLane and now plans to marry Marian Conover.

A visual fragment from the archive: The thematic resonance of Babette perfectly mirrors the editorial trajectory of our deep dive.

Dir: Charles Brabin

Becky, a child, is left an orphan by the death of her father and is consigned to the tender mercies of the Misses Pinkertons, who conduct a fashionable school for girls. Becky feels keenly the semi-charitable nature of her life, and, when kindly-hearted Amelia Sedley invites her home, she eagerly accepts. It is then that Becky, the child, becomes Becky, the adventuress, cold, calculating and selfish. With the entrance of Becky into the peaceful Sedley home comes misfortune. Sedley goes bankrupt. Old man Osborne promptly breaks the engagement between Amelia and his son, George. Becky lays her traps for Joseph Sedley, Amelia's brother, and nearly succeeds in her designs on that self-satisfied young man. Urged by his faithful friend, Captain Dobbin, George marries Amelia. This change throws Becky into new surroundings. She goes to Queen's Crawley and enters the most active sphere of her existence. Her adventures with old Pit Crawley, her marriage to Rawdon Crawley, their poverty Becky's flirtation with Lord Steyne and her subsequent separation from Rawdon, the Battle of Waterloo and the death of George Osborne are all faithfully portrayed incidents of Thackeray's novel.

Dir: Charles Brabin

The forerunner of all serials, "What Happened to Mary" was a series of 12 monthly one-reel episodes, each a complete entity in itself, revolving its immediate dramatic and melodramatic problems within the framework of a single episode and designed more for story and suspense situations than action. Episode Titles (q.v.): #1: "The Escape from Bondage"; #2: "Alone in New York"; #3: "Mary in Stage Land"; #4: "The Affair at Raynor's"; #5: "A Letter to the Princess"; #6: "A Clue to Her Parentage"; #7: "False to Their Trust"; #8: "A Will and a Way"; #9: "A Way to the Underworld"; #10: "The High Tide of Misfortune"; #11: "A Race to New York"; #12: "Fortune Smiles."

A visual fragment from the archive: The thematic resonance of The Sixteenth Wife perfectly mirrors the editorial trajectory of our deep dive.

Dir: Charles Brabin

Beatrix marries Herbert Buchanan while under his hypnotic trance, although she really loves Harry Faring. When Herbert learns of his wife's love for Harry, he disappears with Kansas, a tramp. Soon after, Beatrix falsely identifies a body at the morgue as her husband's and marries Harry, but when Herbert, still alive though ill and demented, appears at her door with Kansas, she confesses her lie to her new husband. Kansas' plans to blackmail Beatrix are ruined when Harry visits the two tramps, and Herbert, now dying of tuberculosis, pleads with Kansas to leave the couple in peace. Kansas agrees, and after Herbert's death, Beatrix and Harry return to a normal life.

Dir: Charles Brabin

John Spaulding saves Helen Molloy-Smythe and her mother, who has recently acquired great wealth, from a train robbery while they are on vacation out West. Some time later, John returns to his father's country estate on Long Island and again saves Helen when she almost drowns. The two fall in love, but when John learns that Helen has a reputation as a society coquette, he plans to teach her a lesson in humility. Learning of his plan, Helen retaliates by accepting the proposal of the fortune-hunting Count Berratti. All ends happily, however, when John saves Helen for a third time and she trades the count's proposal for his.