The Auteur's Selection Complementing the Tone of Two Men of Sandy Bar: Cult Guide

Dir: Lloyd B. Carleton

After Enid and Jack Radnor, vacationing in the Virginia mountains, have a bitter quarrel, Enid meets Polly Mason and Martin Hale, who invite her to their cabin. There she discovers that something mysterious is happening in the mountains. When a train robbery occurs, the sheriff, believing that Martin is a member of the outlaw gang, demands his surrender. After many misadventures, Martin finally proves his innocence. Then Enid mysteriously disappears and is found unconscious at the edge of a cliff. Enid's mother comes to resolve her problems and recognizes Polly's father as an old sweetheart who quarreled with her many years before. Finally, Enid and Jack, after observing so many romantic separations, realize their deep love and are reconciled.

Dir: Lloyd B. Carleton

A visual fragment from the archive: The thematic resonance of Beyond the Crossroads perfectly mirrors the editorial trajectory of our deep dive.

James Fordham returns home after a 6 months' absence to find that his wife has left him for another man. She returns, asking for forgiveness, but dies shortly thereafter. James swears to avenge her death and sets out to find the man who has wronged her. After changing his name, he discovers that the young girl with whom he is falling in love is engaged to the low fellow who stole his wife. He wins out by proving her fiancé is involved in a crooked business deal.

Dir: Lloyd B. Carleton

Jane Barrett and her son, Tom, are suddenly beggared by the speculations of her husband, known on Wall Street as Plunger Barrett. At an auction sale, the Barrett yacht, real estate and household effects are sold without reserve to satisfy some of the demands of the creditors. The bankrupt plunger goes to his room, plies himself with liquor, falls out of the window and is killed. It now depends upon Tom to bear the burden of his mother's support. In a newspaper he finds an advertisement offering a position, with promises of advancement, for a young man of education. This is signed by John Pearce, an old friend of the family, who, with his daughter, Helen, has often been a guest on the yacht and in their home. Helen has been attracted by Tom's manly bearing and finds herself gradually weaning her affections away from Phil Blair, an almost accepted lover, who is associated with her father in coal mining. The transfer of her affections comes one day when, out riding with Blair, a child falls from a bridge and he has not the courage to attempt to save her life. This is effected by Tom, and, as a reward, the girl insists upon her father giving the position to Tom. Wishing to begin at the bottom, Tom passes through the different stages of mining and handling coal, and is about to be appointed Assistant Superintendent. But his hopes, as well as those of his mother and lady love, are frustrated by the jealous Blair, assisted by George Bowers, ex-partner in the firm wrecked by Barrett. Thereupon Tom's mother, after making protest to the directors without avail, appeals to the men and a meeting of the Miners' Union is called. While this is in progress, Pearce, who is still Tom's ardent champion, receives a decision of the Supreme Court, giving him a clear title to a mine at the village of Mayflower. After the meeting, the miners having decided to walk out, through sympathy for Tom, he is offered the position of superintendent at Mayflower. He accepts it and takes most of his striking friends with him. The once deserted village now takes on new life, and the mine is opened by Tom on the co-operative principle. While the mining is progressing with fine promise, a flow of oil opened on the levels takes fire, setting the mine ablaze. Then follow the harrowing scenes which it is impossible to avert even after most heroic efforts on the part of the relief train and State Constabulary. After burning for more than three weeks, the fire bums away the supporting pillars of the mine, and the fated village caves into the abyss made by the sinking earth. The villainous Blair succeeds in convincing the excited people that Tom himself has fired the mine to conceal the fact of its utter worthlessness, and they set out to lynch him. For a time the brave mother and a few friends succeed in staying the advance of the mob, but they are the stronger, and are about to destroy him when a pillar of fire arises. This proved to be an oil well of great magnitude, and, amid the promises of the rehabilitated hero, that what they have lost will be more than regained, the defeated Blair is seen slinking away, silhouetted against the dying flames of the sunken village.

Dir: Lloyd B. Carleton

A visual fragment from the archive: The thematic resonance of Through Fire to Fortune perfectly mirrors the editorial trajectory of our deep dive.

Gerald Fitzgerald, Earl of Kildare, whose estates are down-at-heel and out-at-elbows, owing to the improvidence of his ancestors, is known as "the ragged earl." Though creditors press and bailiffs threaten, he meets his problems with a laugh, trusting to a kind providence and his solicitors in Dublin to provide for his future. It had been the plan of Gerald's father that he marry a wealthy cousin, but the young Earl had always thought of marriage as a necessary evil in the life of every man, to be put off as long as possible. He heartily disapproved of a marriage prearranged. Bills have been piling up, however, and when he calls upon his solicitors for a remittance, he is surprised to receive a letter from them, enclosing the sum of twenty-three pounds, which is all that remains of the quarterly rent collection from the estate. In the letter, his solicitors respectfully suggest that it would be well for him to consider an early marriage with his cousin, in accordance with his father's wishes. Though he dislikes the idea, Gerald is forced to admit that it is the only means of saving the ancestral estates. At the nearby castle live Sir Henry Hardcastle, his mother, Mrs. Fitzmaurice, and her stepdaughters, Kathleen and Una. Sir Henry is also in financial difficulties, and aided by his mother, is endeavoring to persuade Kathleen to marry Lord Wildbrook, a wealthy old roué, who is willing to pay Sir Henry handsomely for his influence with the girl. Kathleen is heartbroken at the prospect, and after a stormy scene with her step-brother, disguises herself as a boy, and runs away, taking Una with her. In the morning Sir Henry discovers their flight, and sends one of his retainers, Ralph Forrester, after them. Ralph overtakes them, and is about to force them to return, when Gerald, who has heard Kathleen's screams, appears. He drives Ralph off, and takes the two girls to Kilkare Castle, never suspecting that Kathleen is other than she appears, a very handsome boy. At the castle Kathleen's manner arouses the suspicions of Sarah McHugh, the motherly old woman who had been Gerald's nurse, and who still thinks him a mere boy, in need of her protection and advice. She discovers Kathleen's true sex, but, greatly attracted by the girl, promises to keep it a secret from Gerald. The Ragged Earl has decided to contract the marriage with his cousin and writes a letter to his aunt, requesting permission to call upon them in Dublin. This letter falls into the hands of Ralph, who has been sent by Wildbrook and Sir Henry to kidnap the girls, with promises of a large reward if he succeeds. Ralph manages to reach Kathleen and shows her the letter. Gerald has already awakened her love, and when she sees this evidence of his intention to marry, she agrees to return with Ralph. That night she steals from the castle, with the sleeping Una in her arms, and returns to her step-brother's house. When Gerald learns of their departure, he makes a formal call upon Sir Henry, inquiring for "Edward," the name under which Kathleen has posed as a boy, but is told that "there is no such person as Edward in the castle." He is forced to accept this as the truth, and, believing that Kathleen has gone elsewhere, he returns to Kilkea. There he tells Sarah of his failure, and she, suspecting the truth, goes to Hardcastle's, where she sees Kathleen. She tells Gerald that the boy is there, and he dashes off with Larry and Patrick, two of his retainers, to rescue "Edward." When he arrives, he scales the balcony to the great hall of the castle, where he finds Kathleen in her true person. When he realizes that the "beautiful boy" is really an even more beautiful girl, he is determined to rescue her. He succeeds in abducting Wildbrook. and in getting Kathleen out of the castle in the care of Larry and Patrick, but his own escape is cut off by Ralph Forrester and Sir Henry. In the fight which follows, Gerald is disarmed. He is at the mercy of Sir Henry's blade when he spies a suit of ancient armor supported by a huge two-handed sword. He overturns tables and chairs in Sir Henry's path, reaches the armor and secures the sword. Fighting off his opponents, he manages to cut his way through the great window and escape. Gerald's retainers and peasants have been aroused by Sarah, and have come to his assistance. A fierce battle is in progress between his men and the Hardcastle retainers. The clubs of Gerald's forces are no match for the Hardcastle swords, however, and his men are slowly beaten off. Kathleen is enraptured by Sir Henry, and is taken to the castle. Gerald escapes and is returning to Kilkea, discouraged, when he overtakes Wildbrook, who is fleeing in terror. He conceives a plan and in a secluded spot he forces Wildbrook to change clothes with him. Then he returns to Sir Henry's castle. He learns that Kathleen has been taken to a neighboring church, and that a servant has been sent to find Wildbrook. in order that the marriage may take place at once. Believing Gerald to be the old Lord, the servant tells him to hurry to the church. He reaches the chapel, and manages to disclose his real identity to Kathleen and the priest. Kathleen of course agrees to the marriage, much to the surprise of Sir Henry. As the party leaves the church, Lord Wildbrook, dressed in Gerald's clothes, stumbles in. In the darkness he is mistaken for Gerald, and is nearly killed by Ralph before he can make himself known. When his identity is learned, Gerald is made a prisoner, but is saved by Mrs. Fitzmaurice, who arrives, declaring that he has fairly won Kathleen. She gives her blessing to the Earl and Countess of Kildare.

Dir: Lloyd B. Carleton

August and Hilda are recent immigrants who cannot understand the American emphasis on weddings, because in their country, couples never get married. Fearing that he will be arrested for living with a woman who is not his wife, August stows away on a ship and dies in a wreck at sea. Afterward, Hilda tries to commit suicide, but rich Esther Grail saves her, and then adopts her infant son Stephen. Years later, Esther tells him the circumstances of his birth, and so Stephen goes on a crusade for the rights of illegitimate children. He is soon elected governor, but during his inaugural speech, a fanatic tries to shoot him. Hilda, however, not having seen Stephen for years but deciding to come hear him speak out for the underprivileged, sees the madman and, jumping in front of her son before the bullet hits him, dies in his place.

Dir: Lloyd B. Carleton

A visual fragment from the archive: The thematic resonance of The Ragged Earl perfectly mirrors the editorial trajectory of our deep dive.

Satan has added his last touches to the mortal and feels the "Man" is ready to navigate the road of life. Satan returns to Hell, discovering the spirits have created another mortal. Satan declares this mortal a "Woman."

Dir: Lloyd B. Carleton

Charley Raymond, college athlete, is disowned by his father, has his clothes stolen by a hobo, assumes latter's garments and the nickname of "Chuck" and is thrown off a freight train. He meets and loves Mary Bowser, ranch-man's daughter and wins a race against a fast horse. Mary is kidnapped by a jealous suitor. Charley pursues on foot and rescues her. Later, he returns home, breaks the world sprinting record in the Olympic Games and wins Mary.

Dir: Lloyd B. Carleton

A visual fragment from the archive: The thematic resonance of The Morals of Hilda perfectly mirrors the editorial trajectory of our deep dive.

Jack Frobisher, a sheep farmer in Queensland, has returned to England a millionaire, bought his way into the inner circle of Vanity Fair, married the daughter of a marquis, and settled in Mayfair, with a country house outside, a shooting box in Scotland, and a yacht on the "Solent." Having accepted the patronage of a titled family, he is forced to lend money to his father-in-law, and having fallen in love with a society woman, he becomes a witness of the vacuous amusements of the smart set. He settles her score when she is a very heavy loser at bridge and watches her flirtations with fashionable idlers in general and with a contemptible rake, Harry Dallas, in particular. The return of Hanky Bannister, one of his Australian pals, and a millionaire like himself, opens the way for a patrician intrigue for the enrichment of the marquis' family by the marriage of Lady Lucy Derenham. Frobisher is unable to interest Eva, his wife, or her relations in his schemes for making a good use of his money in the erection of sanitary dwellings in the East End, and he is disgusted with the tendencies of fashionable life and anxious to keep his friend, Bannister, out of a marriage similar to his own. A sympathetic friend Lady Westerby, tells him that she is disappointed in finding him so tame a bear, and assures him that he has only to shout and the walls of Jericho will fall flat. At the marquis' house during a ball, and a game of bridge in Lady Alethea Frobisher's boudoir, during which one of her titled players cheats, wins a lot of money and suddenly discovers that he has an engagement and must go. The most serious flirtation of the smart wife ends in a declaration of love by Harry Dallas, which is interrupted by the gloomy, serious husband. The trumpets of rams' horns are blown, and the Australian shouts before the Jericho of smartness. The battle opens when Frobisher insists upon helping the titled brother-in-law to marry a girl whose honor his been compromised and to make a fresh start in the colonies. The Marquis is angry over the Australian interference with family coat of honor, and Lady Alethea attempts to reduce the rebel to submission by sarcastic flings at his tiresome virtue. The trumpets sound again when Frobisher attempts to prevent a marriage between his sister-in-law and the infatuated Bannister by telling him how heartless and mercenary she is, and there is another blast when the rake, Harry Dallas, is compelled to read to the indignant husband a love letter written to the wife. The Walls of Jericho are rent asunder and thrown down when Frobisher announces that he will sell his property in England and go back to Queensland with his wife and child. The welkin rings when this social Joshua guarding the ark of the covenant of manhood shouts in trumpet tones, "I have enough of these companions of yours, these wretched sexless women who do nothing but flirt and gamble. I've had enough of their brainless, indecent talk, where everything good is turned into ridicule and each word has a double meaning. I've had enough of this existence of ours, in town and country, where all the men make love to their neighbors' wives. I'm done with it. done with it all." Furious as is the onslaught, Lady Alethea offers stubborn resistance and refuses to surrender. Later, with the mediation of Lady Westerby, before a reconciliation can be effected and Frobisher enabled to carry her off to Queensland. By that time the Walls of Jericho are indeed fallen flat.

Dir: Lloyd B. Carleton

In the days of '49 some of the aristocracy of old California contrived to gather unto themselves more than their share of the precious yellow metal which abounded. There were those among the populace who resented this state of affairs. Luis Lopez was one. Smarting under the yoke of the aristocracy, Lopez determined to champion the cause of the people. Accordingly, he set about to enlist the aid of others and chose Jose Garcia for an ally. Jose finally agreed to wage a campaign against Don Ortega and Don Mendoza. Jose set out for the home of Don Ortega, whom it was agreed that he should rob. Lopez chose Don Mendoza as his prey. It was agreed between Lopez and Jose that the gold which they hoped to gain would be devoted to the uplift of the oppressed. Jose's destination lay across the desert. Stopping to slake his thirst, he was horrified to find that he had lost his canteen. He found instead a crucifix which his priest had secreted in his pack-saddle. Tearing it off, he flung it with anger into the sands and passed on. Senor Arrelanes, another aristocrat, with his daughter Carmen were traveling in the same direction, intending to visit their cousin, Don Ortega. They found the crucifix and later came upon Jose, exhausted. They bore him to the home of Don Ortega, where Carmen nursed him back to health. Lopez reached the home of the Don Mendoza and asked for lodging. In the night he crept into the living room and stole the bags of gold which his hosts had deposited in a chest. Surprised by Mendoza'a wife, Lopez set upon her. Mendoza came to the rescue and drove Lopez out. Jose had fallen a willing victim to Carmen, and vowed to himself that he would not be guilty of robbing those who had befriended him. He set forth on his return to Santa Barbara to meet Lopez. Lopez threatened that he himself would take the money. During the night Jose stole Mendoza's gold from beneath Lopez's pillow and hastened away to warn Ortega. Discovering Jose's absence, Lopez quickly gave pursuit, vowing to kill the traitorous Jose. Jose arrived in time to warn Ortega so that when Lopez arrived he fell into the trap laid for him. Carmen at last prevailed upon Lopez to forsake his evil ways. And so when Carmen had yielded to the pleadings of her impetuous lover, Jose, Lopez stood nearby to share their happiness, and later returned to Santa Barbara, there to spend the remainder of his days with the gentle priests at the Mission.

Dir: Lloyd B. Carleton

Railroad tycoon Richard Strong discovers that his enemies are scheming to bankrupt him. Strong enlists the help of Charles Dalton, and together they foil the plot. By chance Dalton meets Strong's wife, Elinor.