Recommendations
Archivist John
Senior Editor

The United States-born brilliance of Two to One offers a unique stylistic flair, the profound questions raised in 1927 still require cinematic answers today. Our curated selection of recommendations echoes the very essence of Two to One.
In the Pantheon of Short cinema, Two to One to provide a definitive example of David Smith's stylistic genius.
George objects to his mother remarrying as the Amberson family fortune declines. "Two to One" is an edited reissue of the 1925 film "Pampered Youth", the first screen adaptation of Booth Tarkington's novel "The Magnificent Ambersons".
Two to One was a significant production in United States, showcasing the immense talent of Ben Alexander, Cullen Landis, Alice Calhoun. It continues to be a top recommendation for anyone studying Short history.
Based on the unique stylistic flair of Two to One, our vault has identified these titles as the most compelling follow-up experiences for fans of Short cinema:
Dir: David Smith
Willie Robbins loses his heart to Myra Allison, the prettiest and liveliest girl in San Augustine, but she laughs at him and taunts him. Soon after the Spanish-American War starts, Willie volunteers and plunges madly into danger, and wins a captaincy by capturing a Spanish general. Myra marries Joe Cranberry, but when Willie hears of this, he seems indifferent. After the war Willie returns to San Augustine and is met by the Mayor, a brass band, and schoolgirls. He is the hero of the occasion. After the welcome, Willie makes for the little white cottage of Joe Cranberry. Myra is on the porch, untidy and unattractive. Willie waltzes up to her and the joke is on Myra.
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Dir: David Smith
Having been discharged as the Van Smuythes' coachman for drunkenness, Thomas McQuade has joined the Bed Liners in Madison square. It is freezing cold. Standing beside him is a young man, shabby but neat. They exchange confidences and Thomas learns that the young man has just been discharged from a hospital without a penny, his wife and child having been obliged to return to her mother. He had married against the wishes of his unforgiving relatives. Just then an automobile dashes up Fifth avenue and, when opposite the Bed Line, drops an extra tire. Thomas catches it and returns it to the owner, expecting at least a dollar for the service, but, instead the imposing gentleman asks him mysteriously if he knows the Van Smuythes, and on learning that he does, Thomas is forthwith taken to a palatial house in the Seventies and fed on cold fowl, tea biscuits and wine. While thus pleasantly occupied two women are mysteriously ushered into a side room, where his host, Prof. Cherubusco, the great clairvoyant, tells them that the Chaldean Chiroscope has been successful, for had it not said "By the fifth wheel of the chariot he shall come?" But the professor, learning instead that Thomas is the Van Smuythe's ex-coachman, throws him into the street. So back to the Bed Line goes Thomas, where he resumes his conversation with his new friend. Suddenly a sturdy girl rushes up to him. It is Annie, his sweetheart and maid at the Van Smuythe's, whom he has not seen for a month. She says his old position is waiting for him, but suddenly catching sight of the other man she screams, "Mr. Walter!" And then it appears that she had accompanied her mistress to the great clairvoyant and he had hold her where she would find her sweetheart, and she had also found "Mr. Walter." After paying the car fares home she vows to give her remaining $11.85 to Professor Cherubusco, "the greatest man in the world." Moving Picture World, February 2, 1918
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Dir: Charley Chase
A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.
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Dir: Unknown Director
The Judge needs a present for his wife's birthday, so Harry suggests a new corset. They go to the shop, but he's so embarrassed to ask the saleslady he hides in a phone booth.Harry goes in, but finds a GUY wearing one, and runs out.They both dress as women to get back in, but Mrs. Rummy gets there and chases him out.
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Dir: David Smith
Peggy Winston, the boss of a lumber camp left to her by her father, is loved by all the "jacks" of the camp. When Clayton Hargis, the son of a millionaire ship builder visits to contract for the camp's entire output, Peggy, deeply affected by him, rescues him when he falls into dangerous waters, but Clayton remains ignorant of her affection. Peggy accepts the invitation of Clayton's sister to join them in the city, and after trading her corduroys and spiked shoes for silks, blossoms into a beautiful woman. Heartbroken when she sees Clayton's fiancée embrace him, Peggy leaves and lives a week in the city after pawning her clothes. In Peggy's absence, the title to the camp is taken over by a friend of Clayton's. The friend and Clayton, who now realizes that he loves Peggy, search for her at the camp. After the hostile lumberjacks lock them in a cabin and plant dynamite underneath it, Peggy arrives, quells the riot, and saves them. Clayton straightens out the title of the camp, and confesses his love for Peggy.
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Dir: David Smith
An opera diva touring with her company in South America charms everyone she meets except Johnny Armstrong, who has no use for her or any other woman. When she is taken captive by an Indian tribe, Johnny rescues her. On their way back to civilization Johnny sees a change in her brought about by the experience of being captured and rescued, and he begins to fall for her. However, the closer they get to civilization the more she begins to revert to the arrogant, attention-craving diva she had been. Johnny comes up with a plan he hopes will "bring back" the woman he has grown to love.
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Dir: David Smith
Forced to wear quaint short dresses and pigtails so that she will inspire her grandfather's sentimental poetry, nineteen-year-old Joy Havenith longs for companions of her own age. One day Johnny Hewitt, seeing her confide her troubles to her Aunt Lucilla's portrait, tells her that if she wishes hard enough, her dreams will come true. Not knowing his name, she thereafter thinks of him as her "wishing ring man." Soon Joy meets a married couple who invite her to the city. Because her grandparents will not let her leave until she is engaged, she lies that she is the fiancée of a man of whom her friends have spoken, Dr. John Hewitt, not realizing that he is her "wishing ring man." John agrees to play along for a month, to the dismay of his fiancée, Gale Maddox. After the wedding presents and bridesmaids have arrived, Joy, thinking that John loves Gale, leaves the rehearsal and returns home. John then finds her confiding to the portrait and declares his real love for her.
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Dir: Richard Smith
Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.
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Dir: David Smith
Jim Carvel, whose father Henry, a newspaper owner, has been killed by the local political boss for exposing a theft ring, shoots his father's murderer and escapes to the Canadian Northwest where he befriends Nepeese, daughter of a local trapper named Pierre. Brutal trading post owner "Bush" McTaggart attacks Nepeese while she is alone in her cabin. Pierre arrives home and tries to defend his daughter, but McTaggart kills him. To clear himself, McTaggart blames Jim for the murder, and while a group of Indians track Jim down, kidnaps Nepeese. Jim is rescued by his half-breed friend De Bar while Baree, Nepeese's dog, hunts down and overcomes McTaggart. Freed from McTaggart's clutches, Nepeese marries Jim.
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Dir: David Smith
Spunky young Alannah, an Irish immigrant living in a tenement, sells newspapers to support her family. She is soon helping a district attorney secure proof that the unjust town mayor is collecting bribes. For her reward, Alannah and her boyfriend Jimmy are appointed managers of a municipal restaurant.
View DetailsAnalysis relative to Two to One
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| The Moment of Victory | Tense | High | 85% Match |
| The Fifth Wheel | Tense | Dense | 85% Match |
| Kids Is Kids | Tense | Layered | 94% Match |
| A Fitting Gift | Surreal | Layered | 96% Match |
| The Little Boss | Surreal | Abstract | 92% Match |
This guide was algorithmically generated using the cinematic metadata of David Smith's archive. Last updated: 5/9/2026.
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