Recommendations
Senior Film Conservator

Exploring the artistic bravery in ...und das ist die Hauptsache!? is a journey into Germany cinema, the thematic layers of this 1931 classic invite a wider exploration of the genre. If Ernst Duschy, Ferdinand Hart, Otto Wallburg impressed you, these next recommendations will too.
With Joe May at the helm, ...und das ist die Hauptsache!? became to reinvent the tropes of Musical cinema for a global audience.
A husband takes his wife to a nightclub in Berlin. While there he breaks the news to her that he thinks they should divorce, and leaves her with a young girl on his arm. Angry and humiliated, the wife picks up a young nobleman and takes him home with her. Unfortunately, he turns out to be an international con man who drugs her drink and steals her jewelry. Luckily, the police have been following him and arrest him before he can get away. Meanwhile the husband is starting to have second thoughts about leaving his wife. Complications ensue.
...und das ist die Hauptsache!? was a significant production in Germany, showcasing the immense talent of Ernst Duschy, Ferdinand Hart, Otto Wallburg. It continues to be a top recommendation for anyone studying Musical history.
Based on the unique artistic bravery of ...und das ist die Hauptsache!?, our vault has identified these titles as the most compelling follow-up experiences for fans of Musical cinema:
Dir: Joe May
The mystery surrounding the temple of Buddha which contains many priceless gems attracts the attention of two adventurers. They plan and eventually steal the holy pearl from the head of the idol. Next morning the theft is discovered by the Brahmins, and the high priest curses the thief, calling on Buddha to wreak vengeance on everyone into whose possession the jewel falls. The thieves hasten to Europe to sell their ill-gotten prize and offer it to Degory Priest, a well-known collector of rare gems, for $10,000. Priest invites one of the thieves, a man named Allen, to stay at his home over night and he will buy the pearl and pay for it next morning. The other man. Walker, decides to keep watch and wait in the grounds of the mansion. During the night, the evil influence of the pearl causes Allen to see strange visions. He has a paralytic stroke from which he dies. Priest, who had a motive for inviting Allen to stay the night, visits his room and finding him dead, takes the pearl. Three days later, Priest meets with a fatal accident while hunting. After his death the pearl is handed over to his son and heir, Charles Priest, who has gotten into financial difficulties and is in the power of a money lender named Lewis. Lewis brings pressure to bear on young Priest who, unable to raise the money and under the fatal influences of the pearl, commits suicide, before doing so, telling his wife to rid herself of the pearl which has brought so much misfortune on his family. She consequently sells it to Lewis. Violet Lewis seeing the beautiful gem in her father's possession, asks to be allowed to wear it for one day only at her coming of age reception. He consents, but as a precaution, has it insured for $100,000. At the reception three Hindoo performers give a show in which the famous William Tell shooting act forms one of the items. Instead of shooting the apple, the Hindoo shoots the pearl out of its setting without destroying it. This supposed accident causes a sensation and a scuffle takes place to find the missing pearl. Finally the manager of the insurance brokers, who is at the reception to guard the interests of his firm, finds the pearl, but on close examination discovers it to be a clever imitation of the original stone. And now the question arises, "Who Has the Genuine Pearl?"
View Details
Dir: Joe May
A fascinating piece of cinema that shares thematic elements.
View Details
Dir: Joe May
Ralph O'Donell owns one of the largest breweries in Chicago. Eventually he marries his sweetheart Helene Berger. When Helene's aunt dies in Europe she become a universal heir overnight.
View Details
Dir: Joe May
Hilde Warren, a famous actress, is impregnated by a convicted murderer and becomes plagued by visions of an extremely gaunt and sepulchral Death. Upon discovering her child is the image of its criminal father, Hilde must decide whether to allow it to live or to kill it and risk the embrace of Death himself.
View Details
Dir: Richard Smith
Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.
View Details
Dir: Joe May
A fascinating piece of cinema that shares thematic elements.
View Details
Dir: Unknown Director
The Judge needs a present for his wife's birthday, so Harry suggests a new corset. They go to the shop, but he's so embarrassed to ask the saleslady he hides in a phone booth.Harry goes in, but finds a GUY wearing one, and runs out.They both dress as women to get back in, but Mrs. Rummy gets there and chases him out.
View Details
Dir: Joe May
A fascinating piece of cinema that shares thematic elements.
View Details
Dir: Joe May
An elderly gentleman, a professor and savant, living in quiet retirement, is greatly mystified and annoyed by a nightly visitor, who flits through his study and rummages around his desk. In his growing embarrassment the professor appeals to the police, who make a thorough search of the professor's apartments, but fail to discover even the faintest clue to the solution of the mystery. Thereupon the professor appeals to the master detective, to the brilliant and profound Stuart Webb, who can fathom the motives of men and follow the devious paths of the criminal. At first, however, Webb is puzzled as much as the police were. After much thinking he hits upon a novel plan which he hopes will bring good results. He installs a motion picture camera in the professor's haunted chamber and by a most ingenious device arranges the machinery such a way that the slightest touch of the desk sets off a flashlight and puts the camera into action at the same time. The plan succeeds to this extent. The detective now has a picture of the strange intruder. The latter is revealed by the film as a man with a big beard. Rightly concluding that the man of mystery would want to change his appearance as quickly as possible after being caught by the camera and would therefore go to the first barber shop to effect the change, Webb and his assistant are ready. The mysterious intruder sits down in a chair and when he is lathered and Webb holds the razor poised above his head, Webb's assistant slips the handcuffs on him. Now, the veil of the mystery lifts rapidly. The midnight visitor, it turns out, was not after the professor's desk at all; he was the agent of a foreign government in search of important plans. These plans were in the possession of a famous military engineer, who lived on the floor above the professor. There were secret passages in the old house and in the confusion of the winding steps the thief had mistaken the professor's study for the room of the engineer. The discovery that the whole house was mined, so to speak, with parallel stairs and shafts is brought home to the spectator with unique and startling effect.
View Details
Analysis relative to ...und das ist die Hauptsache!?
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| The Mystery of the Fatal Pearl and the Sequel | Gritty | High | 87% Match |
| Die Gespensteruhr | Ethereal | Dense | 98% Match |
| Ehre | Gothic | High | 90% Match |
| Hilde Warren und der Tod | Tense | Dense | 96% Match |
| Lunatics in Politics | Ethereal | Dense | 97% Match |
This guide was algorithmically generated using the cinematic metadata of Joe May's archive. Last updated: 5/23/2026.
Back to ...und das ist die Hauptsache!? Details →