The Cult Collection Comparable to the Style of Vengeance: Cult Guide

Dir: Travers Vale

Richard Chanslor is about to be disinherited by his rich grandfather who objects to his association with chorus girl Lily Lorraine. In order to please his grandfather while still maintaining his present standard of living, Chanslor decides to marry Lois Page, a struggling young sculptress from a good family. Lois accepts his proposal on the condition that they continue their separate ways. The marriage in name only is a success until Richard begins to fall in love with his wife and breaks with Lily. Lois, unconvinced of her husband's sincerity, however, continues her close relationship with her instructor, Bob Hildreth. One day, Hildreth takes Lily for a ride to a country inn where he attacks her. Richard follows them and arrives just in time to rescue his wife who drives away with him. Both husband and wife then realize that their trial marriage has developed into a real marriage.

Dir: Travers Vale

A visual fragment from the archive: The thematic resonance of Beyond the Wall perfectly mirrors the editorial trajectory of our deep dive.

Dane Ashley, a successful young author, is informed that he has inherited an old estate in a small village, and being tired of his work and life in the city, he decides to go down and stay on the place for a brief rest. One day Dane is amazed to find a crowd of boys and girls pelting a young girl. He rescues the girl and would punish her tormentors, but she begs him to let the matter drop and hurriedly disappears through the door in the stone wall which separates his house from the one next to it. Much impressed with his young neighbor, Dane makes inquiries about her and learns that she is a Miss Virginia Carlton and that nothing is known concerning her except that she is crazy. Disbelieving the rumors as to Virginia's insanity, Dane uses clever little ruses to further his acquaintance, and the friendship so strangely begun, soon develops into love. Although Virginia cannot conceal her love for him, she tells him their friendship must cease, that there is a wall of shame and misery between them which prevents their ever being anything to each other. Dane thinks he has guessed her secret when he hears a baby at play on her side of the wall; he believes she has been the victim of an unwise and too-great love, but when he is with Virginia her purity and innocence totally contradict this theory. One night he is startled to see a face, which he is sure is Virginia, which is lit is lit up by a wild and impish gleam, peering in at his window. When he reaches the window he sees the girl fleeing over the high stone wall. A few nights later he meets her on the road. She gives no sign of recognition, but leads him on. Dane cannot understand; his heart sick at the thought that the pure-souled Virginia, whom he loves could act thus wantonly, but the next day, when he meets Virginia, she is again the sweet simple girl and he becomes convinced that it must be during moments of temporary insanity that she makes her nocturnal excursions. Nightly the girl is seen in the village, a beautiful evil spirit luring men from their firesides, to render them mad with strange passions and unfulfilled desires, for she always escapes from her victims. At last Virginia can restrain her feelings no longer and she tells Dane that she wants him to hear her story and to help her. Two years before, her twin sister, Helen, had fallen in love with a young naval surgeon. When their father had sternly forbidden her ever to see him again, the impulsive girl left home and went to the surgeon's hotel. There she lived with him as his wife for two weeks, until he was suddenly called away to foreign waters. Returning to her father's home, Helen was injured in an automobile wreck and her mind shattered. The father died of the shock, and Virginia, realizing her sister's condition, had rented the house in the country. Here Helen's child was born. Dane is overwhelmed with happiness to know that the girl he loves is neither insane nor the mother of the child he had supposed hers. He tells Virginia he will locate her sister and bring her back. He sends his friend, Dr. Robert Haskell, to Virginia to aid her. Virginia denounces Dr. Haskell for his treachery to her sister, and before he can reply, Dane brings in the unconscious Helen, whom he found wandering about the streets. Doctor Haskell works over the wounded girl, and while they await anxiously the result of his operation, he explains to Virginia that she is doing both her sister and herself grave injustice. He tells the astonished girl that he and Helen were married on the day she left her father's home, and that ever since his return from the foreign parts he had been searching vainly for his wife. Gradually life and memory return to Helen and she throws her arms about her husband's neck as Virginia and Dane look on.

Dir: Travers Vale

Ilda Barosky, a Jewess whose father was killed by Russian soldiers, is a violin student in love with Alexis Nazimoff, a son of the Russian aristocracy. When Alexis' father arranges a marriage of convenience between his son and Olga Karischeff, the daughter of the ambitious minister of police, Ilda, asked to play "God Save the Czar" at the betrothal celebration, refuses, and is whipped before the entire assembly. Alexis rushes in and rescues her from his father's wrath and then writes a letter to the Karischeffs, terminating his engagement to their daughter. In retaliation, the minister of police, who is being forced to resign, sentences both Ilda and Alexis to ten years in Siberia as his last official act. In Siberia, the couple attempt to escape, but are caught and are facing a firing squad when Count Nazimoff, who has assumed Karischeff's position as minister of police, arrives with a pardon. Ilda and Alexis return home, and the count, penitent, finally grants them his blessings.

Dir: Travers Vale

A visual fragment from the archive: The thematic resonance of Darkest Russia perfectly mirrors the editorial trajectory of our deep dive.

Jane Lawson takes the blame for her younger sister Ruth's minor romantic indiscretion, and is thrown out of the house by her straight-laced parents. She finds work as a department store model, and then marries Will Rogers, her boss's dissolute son, even though George Blake, another store employee, is a far more wealthy and sensible suitor. Will starts embezzling store funds, and when George finds out, to protect Jane, he gives Will some money and sends him to Alaska to make good. His habits fail to improve, however, and when Jane goes to Alaska to meet him she arrives just in time to watch him hang for murder. Suddenly, Jane realizes George's true worth, and so marries him as soon as she returns.

Dir: Travers Vale

Violet Galloway, in charge of her grandfather's home, was accustomed to bossing things. But when she married Roger Kendall she was petted and pampered and had hardly anything to do outside of looking pretty and being well dressed. So she became discontented. At this time George W. Graham, a former lover, made violent love to her. Graham was district attorney and Kendall was Graham's assistant. Kendall was prosecuting the gamblers, but Graham tried to call him off when political pressure was brought to bear. The gamblers decided to "get" Kendall. Graham knew of the secret and a man who had been befriended by Violet found this out. The man sent a note to Violet. She risked everything by getting Graham to come to her home and was learning the secret from him when the murderer hired by the gamblers shot and killed Graham, thinking he was Kendall. Kendall, being told what his wife had done for him, turns out his maiden aunts, who created much of the trouble, and he and his wife are happy once more.

Dir: Travers Vale

A visual fragment from the archive: The thematic resonance of Tangled Fates perfectly mirrors the editorial trajectory of our deep dive.

Vesta Wheatley and Dick Mortimer have been friends from childhood, but when he declared his love and asks her to marry him, she tells him their friendship is too pleasant to spoil it by love-making. John Randolph, a wealthy city man, is attracted to Vesta and a romance develops which culminates in a quiet wedding. Although Vesta is happy she enjoys tasting of worldly pleasures unknown to her. However, after a short fling she returns to her husband with increased love and respect. Unable to stand village life, after Vesta's marriage, Dick comes to the city. He and Vesta meet by chance and he avails himself of her invitation to call. John, returning home unexpectedly, is surprised to find Dick talking to his wife; he recalls a scene in the country before his marriage, when he saw Dick making love to Vesta. However, he hides his suspicions and he and his wife go to their country lodge. Beset by thoughts of Vesta, Dick follows and during her husband's absence, enters the lodge. Vesta resents his declaration of love, and hearing a noise on the outside, begs him to leave before her husband returns. The door is burst open and Skinny, a gangster, enters. In the struggle that ensues Dick is killed by Skinny. Vesta grabs the pistol and holding Skinny at bay, prepares to call the police, but Skinny tells her that she bad better think before phoning, as the news will create a scandal. Cowed by his threats, Vesta is compelled to watch in silence as he drags Dick's lifeless body away. Although her husband suspects nothing, Vesta is haunted with memories of Dick's murder, and Skinny, by frequent blackmail, helps keep alive the memory. At last she feels that she can bear it no longer and when Skinny comes with a demand for an enormous sum, she seizes a pistol and kills him. She then phones to the police, telling them she is alone in the house and hears a burglar entering; there is a pistol in her husband's room. The burglar is approaching, what shall she do? The officer tells her to hold the burglar off until help comes. With the receiver down, she fires a shot into the air. When the officers arrive they pronounce the killing is self-defense, and Vesta is happy with her husband, knowing that her tormentor is out of the way.

Dir: Travers Vale

Ralph Semple already has a wife, but marries rich Beatrice Raymond, and then deserts her after cheating her out of $10,000. Later, when Beatrice hears that Ralph has died, she marries Jerry Trainer, a widower, but keeps her past a secret. Ralph, who started the rumors of his own death, then returns to blackmail Beatrice, who is determined to keep Jerry from finding out about her first marriage. Meanwhile, Ralph makes plans to elope with Jerry's daughter Edith, but when Beatrice learns of the impending wedding, she decides to stop it, and so goes to see Ralph in his apartment. Jerry walks in on them, however, and assuming that they are secret lovers, he throws Ralph out and denounces Beatrice. When Edith arrives at Ralph's, however, Jerry realizes that his wife was only trying to save his daughter, and so he and Beatrice are reconciled immediately.

Dir: Travers Vale

A visual fragment from the archive: The thematic resonance of Man's Woman perfectly mirrors the editorial trajectory of our deep dive.

Sally McGill, a little Irish girl, brought up in a particularly sordid section, is compelled to work to support her entire family. Ben Blaney, the young foreman where she works, loves little Sally. Mrs. Rockwell, wealthy and childless, finds joy in taking a limited number of the poorest children to her country home each summer, and she selects those whom she will take. While visiting the lower East Side, which is distinguished by the name of "Pigtail Alley," she meets Sally and impulsively asks her to go along to earn her board and keep by caring for and helping with the children. Sally is overjoyed. Ben Blaney, however, proposes to Sally and is rejected. Mrs. Rockwell's niece, Isabelle, is jealous of Sally and takes a violent dislike to her. Sally's ambition is to become a refined lady like those about her, and she is attracted to Paul Taylor, but knows she is inferior to him. Isabelle succeeds in having Sally discharged. She then goes to work in a millinery store where she has opportunities to learn the refined ways she so admires, and joins a library to study on this subject. Mrs. Rockwell, in need of a maid, seeks little Sally out and offers her the position, and she again meets Paul, who proposes to her on her way home one evening, but she, realizing the great social gulf between them, does not consent and tells him he must never see her again. She leaves Mrs. Rockwell's employment to become an artist's model and because she pledged Mrs. Rockwell to secrecy about her new address, Paul goes to her mother, who, believing there is a possibility of a rich marriage, gives him Sally's address. Paul waits for Sally and escorts her home, standing in the doorway for a chat. Ben sees them just as Paul is embracing Sally and in a rage strikes Paul down. Later, when Ben learns that Paul has asked for Sally in marriage, he tells Sally that they are not made of the same clay, and that she has outgrown "Pigtail Alley," and he hopes that she will be happy with Paul. She goes to Paul and he holds her in his arms and finishes the sentence he started in the hallway, which Ben interrupted, "When do we start for South America?"

Dir: Travers Vale

During a raid on a gambling establishment run by her father, Cosmo Lester, Diana Lester rescues Hugh Carton, a member of the English Parliament and a candidate for the Cabinet. Hugh gratefully offers Diana a position as his sister's companion, and soon, the two fall desperately in love. Diana's happiness is threatened, however, when she learns that Hugh is married to a woman who will neither live with him nor divorce him. Diana becomes Hugh's mistress for a time, but his afternoon visits with her cause him to neglect his work. To save Hugh's career, his sister urges Diana to leave him, whereupon the unhappy girl returns to her father. She eventually accepts the marriage proposal of her old friend, Phil Duran, but before the wedding, she suffers a breakdown. When Hugh visits her with the news that his wife has granted him a divorce, however, she regains her health and good spirits, and is joined to the man she loves.

Dir: Travers Vale

Told by her aunt Annabelle that she will be disinherited unless she earns her own living for a year, party going Sybil Drew sets out for New York, armed only with $125 and a sincere determination to succeed. Relaxing in the Plaza Hotel lobby, Dr. Ross Alger catches sight of Sybil at the registration desk and is strongly attracted to her, but because of her faltering manner, he begins to suspect that she is a crook. Following a difficult search for work, Sybil becomes a companion to the eccentric Oleander Berwick, who lives in the apartment above Ross's quarters. Although Ross's attraction has turned into love, circumstantial evidence convinces him that Sybil is a thief, and the situation becomes even worse for her when Miss Berwick's nephew Paul tries to seduce her. Miss Berwick dismisses Sybil, who soon afterwards is hit by a taxi. Mistaking her identity, a nurse has the girl taken to the home of Mrs. Alva Penfield, who operates a disreputable gambling establishment. Following several more adventures, Ross rescues Sybil and finally, realizing that she is not a crook, proposes to her.