Recommendations
Senior Film Conservator

The United States-born brilliance of Vi två offers a unique thematic gravity, the profound questions raised in 1930 still require cinematic answers today. Our curated selection of recommendations echoes the very essence of Vi två.
In the Pantheon of Drama cinema, Vi två to provide a definitive example of John W. Brunius's stylistic genius.
Widower Robert Rossiter lives in New York with his two teenage children. When he visits a fashion house one day, he falls in love with the store clerk Joyce Roamer.
Vi två was a significant production in United States, showcasing the immense talent of Ragnar Falck, Anne-Marie Brunius, Edvin Adolphson. It continues to be a top recommendation for anyone studying Drama history.
Based on the unique thematic gravity of Vi två, our vault has identified these titles as the most compelling follow-up experiences for fans of Drama cinema:
Dir: John W. Brunius
Synnöve lives with her parents at the farm Solbakken on a sunny hill. Thorbjörn, who lives at Granliden in the shadow of a big mountain, often looks wistfully up to Solbakken. As teenagers they meet and fall in love. Another boy, Knud Nordhaug, is also yearning for Synnöve. Together with some companions he bullies Thorbjörn, who knocks them down. When Knud meets Synnöve's father, he gets him to believe that it is Thorbjörn who is the bully. Synnöve's parents forbid her to meet Thorbjörn henceforth. Some years later Knud proposes to Synnöve, but is turned down. At Midsummer Eve Thorbjörn and Synnöve meet secretly. They renew their love-vows, and Thorbjörn promises to develop a better reputation in the village. When Thorbjörn is driving a loaded cart to the town, the wagon breaks down. As the Nordhaug farm is nearby, he goes there to lend a new wagon. Knud sees Thorbjörn and starts a fight. When Thorbjörn turns away, Knud stabs a knife in his back. For many weeks Thorbjörn hovers between life and death. Ultimately he rises from the bed, but as a changed man, open for reconciliation.
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Dir: Edward LeSaint
When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.
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Dir: Bruno Ziener
A fascinating piece of cinema that shares thematic elements.
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Dir: Dallas M. Fitzgerald
Confidence artist Flossie Golden attempts to fleece foolish but wealthy James Venable with a breach-of-promise suit. Venable's shrewd attorney, Richard Harding, outwits Flossie by proposing that she marry Venable and live on an allowance of $3,000 per year. Flossie is determined to get even with Harding for ruining her plans. In an attempt to con him, she poses as Innocence Page, but falls in love and marries him instead. Larry, Flossie's former accomplice, endeavors to blackmail her with her errant past, but Harding is already cognizant of the facts and Larry fails.
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Dir: Frank Beal
During a raging Montana snowstorm, Doctor Jim Barnes collapses at Esther Anderson's cabin door. Esther offers Jim refuge, but when he discovers that their food supplies are running dangerously low, he braves the journey into town in order to replenish them. On the way, he is overcome with exhaustion and fails to return. Esther, unaware of Jim's condition and abused by her stepfather, joins a theatrical troop and leaves home. Time passes and Jim finally finds Esther, but a vindictive member of her troupe accuses her of having an affair with the manager and Jim believes the accusation. He leaves and Esther goes to New York City where she becomes engaged to a jealous artist, although she still loves Jim. Sam Tuttle, a long time friend, is aware of Esther's continuing love, and so brings Jim to New York City in time to save Esther from an unhappy marriage.
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Dir: Eduardo Notari
A crime drama in the Gennariello-series. The police detective in Naples that is confronted with modern gangsters and crime events.
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Dir: Edward Dillon
Her education in a French convent school completed, plain Justine Spencer returns to New York. There she is shocked to discover that her mother Dodo is a flamboyant musical comedy actress with many male admirers. Dodo, on the other hand, is dismayed to find Justine priggish and dowdy. One of Dodo's suitors is Billy Ferris, who, in a fit of jealousy, murders her and slays himself. Out of pity, Cosmo Spotiswood, another admirer of Dodo, marries Justine, but soon tires of his platonic marriage and leaves for Europe. Upon his return, Cosmo finds Justine transformed. Under the tutelage of Dodo's maid Loti, she has bobbed her hair and donned fashionable apparel. Thus changed, Justine is surrounded by suitors. Stung by jealousy, Cosmo falls in love with his sophisticated wife.
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Dir: Alexander Butler
In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.
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Dir: Tod Browning
Achmet Bey, a Turkish chieftain, catches one of his many wives in adultery and murders her lover. Throwing aside the cuckolding wife, he abducts his harem an innocent girl. However, a brave American who loves her comes to her rescue.
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Dir: Harley Knoles
Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.
View DetailsAnalysis relative to Vi två
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| Fairy of Solbakken | Surreal | Layered | 96% Match |
| A Sister to Salome | Gothic | High | 88% Match |
| Eva, wo bist du? | Gothic | Dense | 86% Match |
| Blackmail | Surreal | High | 88% Match |
| The Devil's Riddle | Ethereal | Dense | 86% Match |
This guide was algorithmically generated using the cinematic metadata of John W. Brunius's archive. Last updated: 5/22/2026.
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