Top-Tier Alternatives In the Shadow of Virtuous Husband: Cult Guide

Dir: Jerome Storm

Ne'er-do-well Homer Cavender ventures to the city from Mainsville in an effort to find fame and fortune. Both elude him, and after clerking for two years, Homer returns home for a vacation. Impressed by his flashy clothes, the townspeople assume that Homer has achieved success. Attempting to win Rachel Prouty from his rival, Arthur Machim, Homer continues the deception by announcing that his employer, Kort and Bailly, has dispatched him to enroll stockholders for a proposed new plant to be built in Mainsville. Machim discovers the sham and denounces Homer as a crook. Meanwhile, Homer returns to New York, convinces his employers of the merits of his plan and comes home triumphant, with a proposal for both the new plant and for Rachel's hand in marriage.

Dir: Vin Moore

The town of Parched City was being reformed. One of the evidences was a she-sheriff named Susie. But Susie had seen Eddie Polo in the pictures and had adopted his pattern of shirt and his inexhaustible revolvers. By looking cross-eyed she could shoot a man standing at right or left angles with the accuracy of a boomerang thrower. Susie's brother was a bold bad man, although in Susie's hands he was like putty. His gang was always falling afoul of the liquor laws. The greatest indoor sport in Parched City was going to the express office and calling for shipments of dynamite, T.N.T. and Mustard Gas, but finally Susie got wise to this game and shot her revolver through every package as it went by the desk. As a glassware exhibit it wasn't worth taking away. Al Cohol called for his shipment. Susie busted the look with a well-placed shot and out jumped a ferocious lion. When the lion got through with the town it was still more parched and not a drop to wet its whistles.

A visual fragment from the archive: The thematic resonance of Frisky Lions and Wicked Husbands perfectly mirrors the editorial trajectory of our deep dive.

Dir: F. Martin Thornton

In Paris an orphan cartoonist loves a man with a mad wife, who dies in time to prevent her marriage to a jilted Comte.

Dir: Charley Chase

A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.

A visual fragment from the archive: The thematic resonance of The Flame perfectly mirrors the editorial trajectory of our deep dive.

Dir: Jacques Jaccard

Douglas MacLeod of the Royal North West Mounted Police is in love with Suzanne Foucharde, who has adopted an abandoned Indian baby, the illegitimate child of Louis La Rocque and Na Fa Kowa. When La Rocque insinuates that the baby is Suzanne's, her brother Henry defends his sister's honor and kills the villain. In spite of his love for Suzanne, it is Douglas' duty to arrest Henry. He does so, but later allows him to escape, taking the bullet himself that was fired after Henry by Constable Burke. Meanwhile, the dead body of Na Fa Kowa is found, accompanied by a note proving that the Indian was the baby's mother. In the spring, when Douglas recovers from his wounds, he and Suzanne are married.

Dir: Lloyd Ingraham

While walking along the street one day, Arthur P. Hampton, an impoverished young doctor, and his chums, Stub Masters and Johnny Stokes, are persuaded to part with their last remaining funds by tag day solicitor Mary Jane Smith, with whom the doctor promptly falls in love. Doc's friends then hit upon a get-rich-quick scheme. Knowing that his Uncle George has promised a large sum of money upon his nephew's marriage, they persuade Doc to send out fake wedding invitations naming Mary Jane as the blushing bride. Uncle George, elated at the good news, writes to Mary Jane's aunt, Angelica Burns, an old sweetheart, to invite Mary Jane and Angelica to be his guests on an ocean voyage. Meanwhile, Mary Jane pays a visit to the doctor's office and, upon seeing the wedding invitations, becomes so flustered that she trips and sprains her ankle. Doc comes to her rescue and then begs her to pose as his wife. She agrees, but at ship-side, Stub and Johnnie confess all to Uncle George, who flies into a rage until Doc announces that he and Mary Jane have chosen a wedding at sea.

A visual fragment from the archive: The thematic resonance of Kids Is Kids perfectly mirrors the editorial trajectory of our deep dive.

Dir: Maurice Elvey

A lady marries a horse trainer but withholds herself until her crippled brother is cured.

Dir: Vin Moore

Everybody was talking about poor Minnie because she couldn't shimmies. So poor Minnie buys a book that guarantees to teach you how to shimmy. She puts a piece of ice down her back and lo and behold she is an expert at "it". Hubby has to do all the k.p. work, mind the baby, feed the cows and chickens and everything while wifey shimmies. The yearly train arrives, bringing with it a theatrical troupe,who stop at the hotel conducted by Minnie. The vamp of the troupe, looses no time in winning the affections of "hubby", but is foiled by "Bob" the clever dog, who always has his mistress's interest at heart. He pulls Minnie by her skirts into the room where the vamp and hubby are making love. Hubby disappears under the bed but "Bob" goes after him and forces him out. "Bobby" does some clever work; he minds the baby, and is general housemaid in the hotel. He discovers hubby and the vamp making love under the table with their feet. He bites Hubby's foot. Hubby accuses his neighbor of stabbing him in the leg with a fork. An argument follows, during which "Bob" gets away with the sausages. Everybody chases "Bob", and he leads them a lively chase.

A visual fragment from the archive: The thematic resonance of Under Northern Lights perfectly mirrors the editorial trajectory of our deep dive.

Dir: Maurice Campbell

Carver Endicott, a young sophisticate, is rejected by his fiancée for being too foppish and dull. When she feigns an interest in his father, Carver attempts to disgrace his family name by working as a farmhand and later as a busboy in a hotel. However, the newspapers only praise him for his self-sacrificing principles; and finding that he cannot bring shame to the family through menial labor, he takes up with a notorious actress. But when this maneuver also fails, he returns to his former fiancée, who has no further complaint about his being an inexperienced dullard.

Dir: Vin Moore

The adventures of an escaped convict.