The Auteur's Selection Complementing the Tone of Vragi: Cult Guide

Dir: William Parke

Bruce Wendell, the son of West Virginia coal mine owner James Wendell, graduates from West Point and prepares to lead a fighting unit to the front during World War I. As his father lies dying, however, he convinces Bruce to remain at home and guard the mine. Bruce's fiancée Ann Blair assumes that he is a coward and breaks off their engagement, but her brother Bobbie remains Bruce's loyal friend. Meyer, a German agent, persuades railroad president Parrish to refuse to transport Wendell's coal, but when Bruce adamantly refuses to close the mine, the spy's men decide to blow it up. While Ann is being abducted by Meyer, Bobbie is buried in an explosion at the mine. Bruce rescues Bobbie and then sends a plea to Lieutenant Parrish to rescue Ann. Meyer and his gang are captured and Ann renews her vow of love to Bruce.

Dir: Tod Browning

A visual fragment from the archive: The thematic resonance of The Virgin of Stamboul perfectly mirrors the editorial trajectory of our deep dive.

Achmet Bey, a Turkish chieftain, catches one of his many wives in adultery and murders her lover. Throwing aside the cuckolding wife, he abducts his harem an innocent girl. However, a brave American who loves her comes to her rescue.

Dir: Dallas M. Fitzgerald

Confidence artist Flossie Golden attempts to fleece foolish but wealthy James Venable with a breach-of-promise suit. Venable's shrewd attorney, Richard Harding, outwits Flossie by proposing that she marry Venable and live on an allowance of $3,000 per year. Flossie is determined to get even with Harding for ruining her plans. In an attempt to con him, she poses as Innocence Page, but falls in love and marries him instead. Larry, Flossie's former accomplice, endeavors to blackmail her with her errant past, but Harding is already cognizant of the facts and Larry fails.

Dir: Edward Dillon

A visual fragment from the archive: The thematic resonance of Blackmail perfectly mirrors the editorial trajectory of our deep dive.

Her education in a French convent school completed, plain Justine Spencer returns to New York. There she is shocked to discover that her mother Dodo is a flamboyant musical comedy actress with many male admirers. Dodo, on the other hand, is dismayed to find Justine priggish and dowdy. One of Dodo's suitors is Billy Ferris, who, in a fit of jealousy, murders her and slays himself. Out of pity, Cosmo Spotiswood, another admirer of Dodo, marries Justine, but soon tires of his platonic marriage and leaves for Europe. Upon his return, Cosmo finds Justine transformed. Under the tutelage of Dodo's maid Loti, she has bobbed her hair and donned fashionable apparel. Thus changed, Justine is surrounded by suitors. Stung by jealousy, Cosmo falls in love with his sophisticated wife.

Dir: Cheslav Sabinsky

Dissatisfied with the profits of his gambling house, the Busy Inn, Bessyne resorts to robbery at night. Eugenia, his wife, who does her share in extorting money from those who visit the Inn, persuades her husband to force Anna, his sister, who has been reluctant up to now, to take part in the scheme. As a result of her participation Anna falls in love with Prince Myloff, one of the frequenters of the Inn, and with whom Eugenia is also fascinated, and in revenge, Eugenia poisons the mind of the prince against Anna. Disheartened, Anna drinks what she believes is poison, and, feeling that she is dying, summons the prince, who has called at the Inn, and assures him that she really loves him. Convinced, the prince has Anna taken to his home for treatment, and declares that their betrothal will be announced at once. But Bessyne relieves the tension by revealing that what Anna drank was only a sleeping potion.

Dir: Cheslav Sabinsky

A visual fragment from the archive: The thematic resonance of The Amateur Wife perfectly mirrors the editorial trajectory of our deep dive.

Nicolai Orloff, a horse dealer, is swayed in the management of all his affairs by his selfish mistress, Glasha. His daughter Sonia, returning from school, discovers the other woman strangely antagonistic toward her, particularly when she meets and falls in love with Prince Alexis. Desiring the prince herself, Glasha prevails upon Orloff to forbid his daughter continuing her romance with him. Later, Glasha disappears and the prince is accused of murdering her. It develops in the end, however, that she was killed by enraged peasant women who objected to the harsh treatment accorded them by Orloff, who they knew was influenced by Glasha.

Dir: Maurice Elvey

A lady marries a horse trainer but withholds herself until her crippled brother is cured.

Dir: Eduardo Notari

A visual fragment from the archive: The thematic resonance of The Busy Inn perfectly mirrors the editorial trajectory of our deep dive.

A crime drama in the Gennariello-series. The police detective in Naples that is confronted with modern gangsters and crime events.

Dir: Robert N. Bradbury

A simple country girl, brutally mistreated by her stepfather, awakens first the sympathy, then the love, of The Boy. The Spider, who lusts after The Girl, makes a bargain with the stepfather and takes her to the city where, kept prisoner, she is soon broken in health and spirit. Cast out and near death, she is taken in by The Boy. Following the demise of The Spider, The Boy takes her to church, where he prays, and after many hours she is restored to health.

Dir: Wilfred Lucas

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.