Must-Watch List in the Vein of What Do Men Want?: Cult Guide

Dir: Harley Knoles

Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.

Dir: Dallas M. Fitzgerald

A visual fragment from the archive: The thematic resonance of Blackmail perfectly mirrors the editorial trajectory of our deep dive.

Confidence artist Flossie Golden attempts to fleece foolish but wealthy James Venable with a breach-of-promise suit. Venable's shrewd attorney, Richard Harding, outwits Flossie by proposing that she marry Venable and live on an allowance of $3,000 per year. Flossie is determined to get even with Harding for ruining her plans. In an attempt to con him, she poses as Innocence Page, but falls in love and marries him instead. Larry, Flossie's former accomplice, endeavors to blackmail her with her errant past, but Harding is already cognizant of the facts and Larry fails.

Dir: William Parke

Bruce Wendell, the son of West Virginia coal mine owner James Wendell, graduates from West Point and prepares to lead a fighting unit to the front during World War I. As his father lies dying, however, he convinces Bruce to remain at home and guard the mine. Bruce's fiancée Ann Blair assumes that he is a coward and breaks off their engagement, but her brother Bobbie remains Bruce's loyal friend. Meyer, a German agent, persuades railroad president Parrish to refuse to transport Wendell's coal, but when Bruce adamantly refuses to close the mine, the spy's men decide to blow it up. While Ann is being abducted by Meyer, Bobbie is buried in an explosion at the mine. Bruce rescues Bobbie and then sends a plea to Lieutenant Parrish to rescue Ann. Meyer and his gang are captured and Ann renews her vow of love to Bruce.

Dir: Lois Weber

A visual fragment from the archive: The thematic resonance of The Key to Power perfectly mirrors the editorial trajectory of our deep dive.

The parallel stories of a modern preacher and a medieval monk, Gabriel the Ascetic, who is killed by an ignorant mob for making a nude statue representing Truth, which is also represented by a ghostly naked girl who flits throughout the film.

Dir: Lois Weber

A young man, told by a psychic that he will die soon, puts his affairs in order and begins to enjoy and treasure life. However, the appointed hour of death passes without his demise, and he begins to suspect something is awry.

Dir: Lois Weber

A visual fragment from the archive: The thematic resonance of Hypocrites perfectly mirrors the editorial trajectory of our deep dive.

Envious of the wealth of her classmates at the fashionable boarding school to which her parents struggled to send her, Millicent Rankin hides the fact that her father is a plumber. She invites her friend Beatrice Deering to her home, which she describes as lavish, for the vacation, but thinks that Beatrice will refuse. The embarrassment Millicent feels when she receives a wire that Beatrice is coming causes her mother pain, but when Millicent's sister becomes ill with scarlet fever, Millicent goes instead to Beatrice's country residence where she hopes to meet a rich husband. At the Deerings', Millicent is soon disappointed with society's mores. After almost succumbing to the advances of Elmer Lacy, who secretly is carrying on an affair with Beatrice's stepmother, Millicent protects Mrs. Deering's reputation by humiliating herself. When she learns that her mother is ill, Millicent rushes home and discovers happiness with her family and her old sweetheart.

Dir: Robert N. Bradbury

A simple country girl, brutally mistreated by her stepfather, awakens first the sympathy, then the love, of The Boy. The Spider, who lusts after The Girl, makes a bargain with the stepfather and takes her to the city where, kept prisoner, she is soon broken in health and spirit. Cast out and near death, she is taken in by The Boy. Following the demise of The Spider, The Boy takes her to church, where he prays, and after many hours she is restored to health.

Dir: Edgar Jones

A visual fragment from the archive: The thematic resonance of The Mysterious Mrs. Musslewhite perfectly mirrors the editorial trajectory of our deep dive.

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Lois Weber

Marie, a hotel maid, falls in love with millionaire's son Roger, but Roger cannot marry her because of her inferior station and his unwillingness to make his family unhappy thereby. They separate. When next they meet, Roger discovers that Marie is actually a princess. Now their renewed romance cannot continue because Roger is a mere commoner. But the Bolshevik revolution provides complication and at last resolution to their dilemma.

Dir: Wilfred Lucas

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.