Essential Cult Cinema Drawn from the Same DNA as When We Were Twent...

Dir: Hugh Ford

Bella Donna falls for the exotic Baroudi and plots to poison her husband.

Dir: Hugh Ford

A visual fragment from the archive: The thematic resonance of The Slave Market perfectly mirrors the editorial trajectory of our deep dive.

Ramona is the daughter of the governor of Port Royal. She is a school girl living in Spain. John Barton, a soldier of fortune, is cast ashore in Spain penniless and scrapes an acquaintance with Ramona by rescuing one of her pets. He is putting up at a rather questionable tavern where he learns of a huge treasure buried by Firebrand, a pirate, and secures plans of the spot in which it is concealed. Ramona sails for Port Royal and Barton is on the same ship. Firebrand attacks the ship and captures as part of his booty Ramona, whom he appropriates for himself after Barton has been knocked overboard in her defense. Until the acquisition of Ramona, Firebrand's favorite has been Anna, who now becomes jealous of the Spanish beauty. After attempting to make Ramona accept his attentions peacefully, Firebrand vents his wrath upon her and orders her confined in one of his cabins. Barton, recovering from his injuries sufficiently to make his way ashore, stumbles upon the cabin in which Ramona is a prisoner but the jealous Anna discovers him and informs Firebrand of the supposed duplicity of his new favorite. The pirate chief rushes to the cabin and when he attempts to force his attentions upon Ramona she kills him. Anna denounces Ramona as the culprit and, in a fit of vengeance, suggests that Ramona be sold as a slave in the public market. Her rare beauty causes lively bidding among the men who attend the sale. Meanwhile Barton has gone in search of the buried treasure and has found it. He has bought a horse on which he comes in search of Ramona, only to find her on the slave block, with a horde of men frantically bidding for her. Plunging into the crowd, he fights his way to the front and forces the bidding until, after a soul-stirring scene, he succeeds in vanquishing his rivals, and rides off triumphant in search of a minister.

Dir: Hugh Ford

Zaza is a music hall star in Paris. She meets Bernard Dufrene and a flirtation develops into an intense love on her part. She is in despair when she discovers that he already has a wife and child. To visit them and announce herself as the mistress of the husband and father is her first idea, but the charm of the child restrains her. She cannot strike the blow and passes off her visit with an improvised excuse. She dismisses Bernard and returns to the stage, where she gains real fame as a dramatic artist. Once more he seeks her, but again the memory of the child saves her to her better self. Moving Picture World 1915.

Dir: Hugh Ford

A visual fragment from the archive: The thematic resonance of Zaza perfectly mirrors the editorial trajectory of our deep dive.

Nancy, a sea captain's daughter, loves a rich importer's son, but his father objects to their marriage. Nancy takes a sea voyage to forget the boy, but he stows away and rescues her when the ship is wrecked. But washed ashore with amnesia, she is captured and sold into slavery. Can her young man find her and rescue her again?

Dir: Hugh Ford

Carlotta grows up in a Turkish harem and upon turning 18 finds out that her foster father plans to sell her to an old Turk. An Englishman helps her escape to Britain, but he is arrested upon their arrival.

Dir: Hugh Ford

A visual fragment from the archive: The thematic resonance of The White Pearl perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Hugh Ford

The statue of Niobe comes to life through the dream of a hen-pecked old man.

Dir: Hugh Ford

A visual fragment from the archive: The thematic resonance of The Morals of Marcus perfectly mirrors the editorial trajectory of our deep dive.

Daniel MacNeill seeks to avenge his childhood humiliation by the dissolute Lord Raa by forcing his daughter Mary to marry him with the stipulation that Raa would lose his claim to MacNeill's recently acquired fortune if he did not remain faithful. On her honeymoon in Egypt, Mary lives in name only with Lord Raa, who introduces his former mistress Alma Lier as Lady Raa. Mary meets explorer Martin Conrad, a former lover and makes love with him the night before he leaves on an Antarctic voyage. Mary then secludes herself in France where she gives birth to a child. When her father insists that she return to Lord Raa in India, Mary announces that the child's father is Conrad, divorces Raa and is disinherited. After learning that Conrad has been lost and her money is gone, Mary returns to London. In order to support her child, she turns to prostitution, and the first man she approaches turns out to be Conrad who has been searching for her. They marry and raise their child together. After Lord Raa's money is gone and he is deserted by Alma, he kills himself.

Dir: Hugh Ford

A woman is betrayed by her cruel husband, who uses their child to further torment her.

Dir: Hugh Ford

A writer bets a friend that he can write a 10,000-word novel in 24 hours. The friends takes the bet, and gives him the keys to his Baldpate Inn, which has been closed for the winter, so he can write in complete seclusion. Things start heating up, though, when a succession of people who also have keys to the inn begin showing up.