Curated Recommendations Seeking the Same Brilliance as Who Loved Hi...

Dir: Dell Henderson

A fascinating piece of cinema that shares thematic elements.

Dir: Dell Henderson

After Miriam Gibson is seduced and abandoned by a handsome adventurer, who marries an old woman with money, she becomes a prostitute to get money for her new-born child. When the baby dies, Miriam, now without hopes, goes to London and becomes the mistress and housekeeper of barrister Geoffrey Sherwood, who has become a drunkard after having been jilted by his fiancée Valentine, when she married a wealthy baronet. Miriam hopes to marry Geoffrey, but when Valentine, who is unhappy with her baronet, begins to trifle with Geoffrey, he responds and discards Miriam. Geoffrey soon realizes the shallowness of his affair with Valentine, who has not divorced the baronet, and his sense of shame is awakened by Miriam's kindness and consideration for others. They marry in a little Scottish kirk, and sail for Buenos Aires to begin a new life.

A visual fragment from the archive: The thematic resonance of Outcast perfectly mirrors the editorial trajectory of our deep dive.

Dir: Dell Henderson

The spoiled, somewhat "mama's boy" young son of a railroad magnate and the pretty young daughter of the magnate's partner set out to stop their respective fathers' incessant quarreling. In the process, they realize that they are falling in love with each other.

Dir: Dell Henderson

Among the younger members of the select families of the "Avenue," are Pete Milholland, a "good fellow" and sportsman, and his fiancée, Alice Gardner. Only once have they quarreled, that was when Pete disgraced himself by coming upon the polo fields intoxicated. This was good cause, and we now find Peter staring blankly ahead of him with the returned ring in his hand. Still in a stupor from drink, Pete instructs his butler that he is leaving for Europe and staggers out of the house. He finds himself on the shores at Coney Island, in a garb not his own. During his wanderings in the amusement park, Pete comes before the entrance of the "Turkish Dream." Partially attracted by the pretty dancer and chiefly in need of sleep, he smuggles himself into the place. He has come at the psychological moment, for the proprietor, Mooney, and his daughter, Tessie, the dancer, are in a quandary. Their orchestra, the pianist, has left them. Pete steps into the breach, much to the jealousy of Jan, the boatman, Tessie's ardent lover. As time passes Pete decides to return home, taking with him Tessie and her father. The jovial Irishman and his daughter dislike the idea of leaving their "kind," but with the arrival of the automobile they agree to go. Tessie is taken care of by Pete's aunt, who would rather do most anything than come in contact with the belle of Coney Island. Her arrival causes consternation in society circles and it is realized by Pete that she is not suitable for him, but he is determined to marry her, as Alice, according to the papers, is going to become the wife of his friend, Tony Graves. During her stay at the Milholland mansion Tessie notices how Pete controls his feelings when Alice approaches, and how Alice's heart nearly breaks when the two girls meet. Alice and Pete finally come face to face, and Pete learns that the newspaper report of Alice's marriage to Tony was false. He takes her in his arms, and thus they are discovered by Tessie. Summoning all her strength and forcing a smile upon her face, Tessie tells them that she lied and does not love Pete at all, and returns her ring. Pete is overcome to think that he was on the verge of falling into the trap set by this young "vampire," while Alice is overjoyed at the unexpected turn of events, though secretly feeling that Tessie is making a great sacrifice. After Tessie's return to her kingdom on the beach, "The Turkish Dream," true love steals its way into her heart as it had done to Alice and Pete, and soon Jan proves to be her ideal of a husband.

A visual fragment from the archive: The thematic resonance of The Beloved Blackmailer perfectly mirrors the editorial trajectory of our deep dive.

Dir: Dell Henderson

Pampered Frederic "Freddy" Pritchard, warned by his father that he must work or be disinherited, learns how to crack safes to help his girlfriend Gloria Nevins, whose villainous uncle holds security for the family jewels, as well as the right to vote on the disposition of the Nevins Motor Works. After Freddy steals the papers with the aid of his valet Smithson, Gloria's uncle locks him in a warehouse to prevent him from attending a crucial stockholders' meeting. Freddy escapes and saves the factory for Mrs. Nevins, who gives him power of proxy. Pritchard, Sr., pleased with his son, consents to Freddy's marriage to Gloria.

Dir: Dell Henderson

After his father's death, Charles de la Fontaine, the Marquis d'Aubeterre, learns that the family is penniless and journeys to America to earn a living for himself and his sister Helen. The Countess d'Este secures him a position in the home of Lathrop, a millionaire, and the young nobleman instantly falls in love with Lathrop's pretty daughter Marian. Supposing that Charles is after her fortune, Marian avoids him and becomes engaged to the wealthy Rudolph Miller. Charles changes her opinion of him, however, when he and Marian are locked in an old tower, and, after swearing that he will only marry her when the two are equally wealthy, he makes a daring escape. Unknown to the Lathrops, Charles backs Marian's brother Frank in a financial venture, as a result of which the two young men become rich. Marian discovers that Rudolph is unfaithful, and with the "golden wall" of wealth that had separated them now obliterated, she and Charles wed.

A visual fragment from the archive: The thematic resonance of A Coney Island Princess perfectly mirrors the editorial trajectory of our deep dive.

Dir: Dell Henderson

Although a feud between the Harlan and Boone families has been raging for years, Mollie Powell, the Harlan's stepdaughter, is secretly in love with Clay Boone. When a young member of the Boone clan is killed during one of the battles, Clay vows that he will never touch a gun again. Branded a coward by the other mountaineers, Clay keeps his oath until Buck Gomery, one of the moonshiners, attacks Julia Weston, the daughter of another moonshiner. Clay comes to Julia's defense, and during the fight the Harlans are arrested and jailed, thus freeing Clay and Mollie to live their lives together in peace.

Dir: Dell Henderson

Traveling under the name "Charles Conant," the son of an American mine owner tries to enter England in 1916 after masquerading as a muleteer, but the captain of his ship, suspicious when he sees him looking through a spyglass, plans to take him back to the United States. Charles escapes and visits his relative, Lady Dartridge, and falls in love with her daughter, Lady Joan Templar, who is loved by her cousin, chief constable George Templar who, suspicious of Charles' manner and unexplainable meetings and activities, wants to arrest him as a spy. After Charles handcuffs two German agents, he reveals that he is a secret-service man. Earlier, he mistakenly sold titanium from his father's mine to a German agent. His successful mission recovered the titanium before it went to Germany aboard a U-boat. Promising to wed Lady Joan, Charles leaves to join the Lafayette Squadron in France.

A visual fragment from the archive: The thematic resonance of By Hook or Crook perfectly mirrors the editorial trajectory of our deep dive.

Dir: Dell Henderson

Shark Rawley is a sailor aboard the tramp steamer Aurora , presided over by a brutal captain named Sanchez. While ashore one night, Shark and Sanchez encounter society girl Doris Selby and her friends on a slumming expedition at a dockside bar called the Wine Room. Entrapped by some of the predatory characters that infest the place, Doris escapes through a cellar only to abducted by Sanchez who then takes her to the Aurora . Arriving at the pier just as the ship is leaving, the Shark catches the vessel and, once aboard, battles the captain and crew for possession of Doris. In the ensuing fight, the Aurora catches fire and all hands are forced to abandon ship. The Shark saves Doris, and when the rescue ship finally reaches them, the pair have fallen in love.

Dir: Dell Henderson

Stubborn Emily Delmar sneaks out of the house to go to a nightclub, and when she discovers that she has left her house keys at home, decides to spend the evening at the apartment of Richard Trotter, a young man who is pursuing her. Trotter comes home to find her there, and proceeds to take her to the house of her Aunt Geraldine. On the way there they stop at a beachfront hotel for dinner, and Emily, not ready to go to her aunt's house just yet, hatches a scheme to stay overnight and have a swim. Unfortunately, her Aunt Geraldine and Herbert Threadgold, a rival for Emily's affections, arrive at the hotel, see Richard and Emily there and assume "the worst". Complications ensue.