Essential Cult Cinema Drawn from the Same DNA as Wild Bill Hickok: ...

Dir: Clifford Smith

Bashful ranch hand Aleck is in love. To help him get his girl, Red Saunders goes to town and convinces Lindy, whom Red thinks is the object of Aleck's affections, to come to the ranch. Meanwhile, Ah Sing, "the ranch Chinaman," steals the cowboys' clothes and pawns them. Red and Lindy meet with Ah Sing and the pursuing, half-clad cowboys at a gambling hall and regain the lost clothing. Red discovers he has brought the wrong girl, but the situation brightens when she consents to his proposal.

Dir: Clifford Smith

A visual fragment from the archive: The thematic resonance of The Pretender perfectly mirrors the editorial trajectory of our deep dive.

After Bob Baldwin is fired for playing too many jokes on the tenderfoot owner of the Diamond K Ranch, he sets out for the nearby town of Freloe Beanos and meets Percival Longstreet on the way. Percival has been seriously injured in an accident and is therefore unable to assume his duties as the town's new schoolmaster. Distressed, Percival confesses that he and his sister Dolly, who is en route to the town, are doomed to starve, which so moves Bob that he agrees to serve as the schoolmaster during Percival's convalescence. Although the uneducated cowboy suffers great discomfort in the classroom, he pleases the town authorities and charms Dolly, who soon falls in love with her supposed brother. Actor Otheloe Actwell becomes jealous of Dolly's affections for Bob, and upon discovering that the cowboy is an impostor, he has Bob fired. Soon afterwards, Bob prevents Actwell from robbing the box office, whereupon the townspeople elect him the new sheriff.

Dir: Clifford Smith

Bob Allers, an unfortunate consumptive, and his wife are traveling to Arizona for medicinal purposes. On the way, a highwayman robs them of horse and money. Destitute, they are befriended by William "Red" Saunders, whose sympathy and innate love for his fellow man lands Allers a job in the local saloon. Soon after, when the same highwayman attempts to rob the saloon, Allers kills him with a hammer thrown in self-defense, unaware that the outlaw is the brother of the sheriff. Convicted for murder by the vengeful sheriff, Allers is defended by "Red." The corrupt jury makes its final decision based on whether a crawling fly reaches the top of a window pane. Allers is acquitted, then reunited with his happy wife and newborn child, and they all leave together.

Dir: Clifford Smith

A visual fragment from the archive: The thematic resonance of The Fly God perfectly mirrors the editorial trajectory of our deep dive.

Texas Ranger Jack Keith, is instructed to track down a gang called the Border Wolves, whose brutal raids have terrorized the countryside. When several members of the gang murder a band of squatters, Black Bart, the head outlaw, has Keith arrested for the crime, but the ranger escapes and flees to a lonely cabin. There he meets Hope Waite, who has come to the Southwest to meet her father, General Waite, and look for her long lost sister. Keith takes her to a boarding-house and places her in the care of Mrs. Murphy, but Bart, having met the girl earlier, discovers her whereabouts. The crook asks her to cash a check for him without revealing that he stole it from General Waite, whom he believes he murdered with the gang of squatters. General Waite arrives in town unharmed, followed by Christie McClaire, his missing daughter. After the family is reunited, Keith rounds up the Wolves and returns the general's check to Hope.

Dir: Clifford Smith

The story of a circuit-riding, sagebrush parson who flew in the face of providence with both guns blazing.

Dir: Clifford Smith

A visual fragment from the archive: The thematic resonance of Keith of the Border perfectly mirrors the editorial trajectory of our deep dive.

Unhappy with William "Red" Saunders, the foreman of the Chanta Seechee Ranch in Oklahoma, its Eastern owners send a Boston tenderfoot named Albert Jones to manage the ranch with "Eastern business methods." Red prevents the angry cowboys from quitting, but they insist on making Jones the butt of their jokes and tricks. Upon learning that Jones's niece, Loys Andres, is planning a visit, the boys plan a rowdy reception for the woman, whom they expect will be an old maid. Loys's beauty, however, surprises them all, and Red's bunk-mate, Kyle Lambert, falls in love with her, and he soon proposes. When Jones tries to break up the romance, Red arranges for an elopement, but as the lovers reach the ford, a rustler called "Squint-Eye" Lucas fires at them, slightly wounding Kyle. Loys returns to the ranch for help, Red shoots Lucas, and Kyle is rescued, after which Loys and Kyle marry. Beaten, Jones gives the couple his blessing.

Dir: Clifford Smith

On the Mexican border, Jim Jason forms a partnership with Don Felipe Arrello although he is troubled by a clause in their contract which states that if one of the partners dies, the other will inherit their ranch. When the ranch begins to prove profitable, Felipe hires an assassin to kill Jim, but the cowboy discovers the plan and gives the killer a sound beating. Jim's sweetheart, Ruth Allen, who has come to the area with her father to restore the old Spanish architecture, sees the fight and assumes that he is mistreating his men, but his concern for little Carmelita, who is suffering from typhoid fever, convinces Ruth of Jim's kindness. Felipe tries once again to kill Jim, who leads his cowboys in pursuit of the villain, but upon reaching Felipe's hideout, they learn that Dolores, his betrayed lover, has already killed him.

Dir: Clifford Smith

A visual fragment from the archive: The thematic resonance of The Devil Dodger perfectly mirrors the editorial trajectory of our deep dive.

Jim Benton has been too busy making money to learn to read and write, but he persuades Evelyn Hastings to open school on his ranch and he is her most devoted pupil. The sheepmen carry out their threat to cut off Benton's water supply and Evelyn makes him promise to shoot only in self-defense. He keeps his promise, but still he has to kill, and a packed jury of sheepmen bring in a death verdict. The cattlemen attempt a rescue, but it is Evelyn who saves the day.

Dir: Clifford Smith

The heroine of "The She Wolf" walks into "The Last Hope" saloon in "Mad Dog" one night, and discovers the Chinese owner and a crooked sheriff cheating a stranger at a game of cards. Drawing her shooting irons she starts to take a hand in the game herself. During the fighting that follows, the stranger is wounded, and the heroine carries him off to her shack and takes care of him. Several days later, the sheriff, who is the head of a band of outlaws, robs the mail coach and leaves a number of letters scattered on the road. The two-gun young woman picks up one of the letters and learns that it was written by Sallie Bigby to her sweetheart, John Williams. It tells him that Sallie's father is in the power of the Chinese saloon keeper, and that she will be compelled to marry him unless she is rescued. "The She Wolf" goes to the place, starts a lively scrap for the second time, and carries Sallie off to her cabin. Here matters are arranged properly. Sallie and her sweetheart meet and the stranger lets it be known that he intends to make the girl who nursed him back to health his wife.

Dir: Clifford Smith

"Cactus" Bob Crandall wakes up to find his cattle and his ranch foreman gone, he journeys across the Mexican border to investigate. There he discovers that an American girl, Helen Ware, and her father are being held prisoner by Mendoza, leader of a group of bandits. Cactus and his friend Carter rescue Helen and her father and ride back to the Crandall ranch with the bandits in close pursuit. While the cowboys and bandits are fighting, Mendoza enters the house and carries Helen off, but Cactus overtakes them and kills Mendoza. Soon after, the foreman and missing cattle, who had been delayed on the road by a stampede, arrive.