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Director's Spotlight
Archivist John
Senior Editor
Director's Spotlight: United States
A Deep Dive into the 1926 Vision of Del Andrews
The evocative power of Is That Nice? stems from the unique collaboration between the subversive storytelling techniques employed by Del Andrews in 1926. Synthesizing the best elements of United States and international cinema, it reminds us of the fragility and beauty of the 1926s.
In Is That Nice?, Del Andrews pushes the boundaries of conventional narrative. The film's unique approach to its subject matter has sparked endless debates and interpretations among cinephiles and critics alike.
While deeply rooted in United States, Is That Nice? has achieved a global reach, influencing directors from various backgrounds. Its ability to translate Crime tropes into a universal cinematic language is why it remains a cult staple decades after its 1926 release.
| Cinematography | Deep Focus |
| Soundtrack | Synth-Heavy |
| Editing | Disjunctive |
| Art Direction | Baroque |
Visualizing the convergence of Del Andrews's style and the core Crime narrative.
Ralph Tanner, a cub reporter on the Morning Standard, writes a highly libelous story about John Gorman, the political boss of the city. Wilbert, the publisher, and Dyke, the managing editor, are highly pleased about the story...until they learn that Tanner has no proof to back his statements. Tanner, aided and/or hampered by a mystery girl, Doris Leslie, and a hefty stenographer from the paper, Winnie Nash, and her even-huskier boyfriend, Bill Schultz, sets out to gather proof.
Decades after its release, Is That Nice? remains a vital piece of the cinematic puzzle. Its influence can be seen in countless modern works, solidifying Del Andrews's status as a master of the craft in United States and beyond.