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Director's Spotlight
Archivist John
Senior Editor
Director's Spotlight: United States
A Deep Dive into the 1917 Vision of Edward LeSaint
Deciphering the layers of Each to His Kind (1917) reveals the complex thematic architecture established by Edward LeSaint. Utilizing a 1917-specific aesthetic that remains timeless, it stands as the definitive 1917 statement on cult identity.
In Each to His Kind, Edward LeSaint pushes the boundaries of conventional narrative. The film's unique approach to its subject matter has sparked endless debates and interpretations among cinephiles and critics alike.
The visual language of Each to His Kind is defined by its use of shadows and framing, a hallmark of Edward LeSaint's style. By utilizing a 1917-era palette, the film creates an immersive experience that perfectly complements its cult themes.
| Cinematography | Handheld |
| Soundtrack | Synth-Heavy |
| Editing | Rhythmic |
| Art Direction | Naturalist |
Visualizing the convergence of Edward LeSaint's style and the core cult narrative.
Rhandah, who is to succeed his father, the Maharajah of Dharpuli, is sent to Oxford to be educated. The Princess Nada, to whom he is engaged, fearful of the outcome of his journey, gives him an amulet to bring him back to her in safety. At the college, he soon becomes accustomed to English customs, but refuses all invitations into society. He meets Amy, daughter of Colonel Dawe, and they become interested in each other. Amy wagers that she can persuade the Prince to give her the amulet and succeeds in having him accept her invitation to a party; she manages to see Rhandah alone and secures the amulet. Dick Larimer, to whom Amy is engaged, denounces Amy for doing such a thing. Asa Judd, tutor to the Maharajah's son, has taken a snap shot of Amy and Rhandah and sent it to Colonel Marcy, the Resident British Councilor. Mulai Singh, an aspirant to the throne, obtains possession of the photograph. Rhandah, embittered, returns home just as the Maharajah dies. By his bedside he swears eternal vengeance on all the English and is overheard by Nada. He seeks out Mulai Singh and obtains the picture, declaring his intention of leading his people against the English, issuing a command that all captured English be brought before him. Dick is taken and Rhandah orders him to the dungeon. Amy has come to India with her father and is also taken by the outlaws, but when they see the amulet they release her. Nada recognizes her from the picture, and comes upon Rhandah and Amy as he is contemplating what he shall do with Dick. Rhandah makes advances to Amy which she dares not resent, and tells him she will do anything to save Dick, but he replies there is nothing that will save her sweetheart. Nada, listening, ready to kill Amy with a dagger, overhears and rushes into Rhandah's arms vowing her belief in him. At Amy's solicitation, Nada intercedes and Dick is set free. All the trouble and turmoil is at last ended, and both couples are happy.
Decades after its release, Each to His Kind remains a vital piece of the cinematic puzzle. Its influence can be seen in countless modern works, solidifying Edward LeSaint's status as a master of the craft in United States and beyond.