DbcultAccessing Vault...
Director's Spotlight
Archivist John
Senior Editor
Director's Spotlight: United States
A Deep Dive into the 1926 Vision of Ernst Lubitsch
The enduring fascination with So This Is Paris is a testament to the artistic risks taken by Ernst Lubitsch that eventually paid off. Challenging the viewer to find meaning in the Comedy shadows, it reminds us of the fragility and beauty of the 1926s.
In So This Is Paris, Ernst Lubitsch pushes the boundaries of conventional narrative. The film's unique approach to its subject matter has sparked endless debates and interpretations among cinephiles and critics alike.
While deeply rooted in United States, So This Is Paris has achieved a global reach, influencing directors from various backgrounds. Its ability to translate Comedy tropes into a universal cinematic language is why it remains a cult staple decades after its 1926 release.
| Cinematography | Static |
| Soundtrack | Orchestral |
| Editing | Invisible |
| Art Direction | Kitsch |
Visualizing the convergence of Ernst Lubitsch's style and the core Comedy narrative.
Georgette lives in Paris with her unexciting, effeminate husband, Maurice. Suzanne lives across the street, spending her time reading romance novels, while dreaming of someone more exciting than her own lackluster spouse, Paul. Both women happen across the other's husband, and they begin their dream affairs. Four people, each cheating on their spouse, none of them aware that their own spouse is cheating - who will tire of the 'excitement' first, and how?
Decades after its release, So This Is Paris remains a vital piece of the cinematic puzzle. Its influence can be seen in countless modern works, solidifying Ernst Lubitsch's status as a master of the craft in United States and beyond.