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Director's Spotlight
Archivist John
Senior Editor
Director's Spotlight: United States
A Deep Dive into the 1927 Vision of Frank R. Strayer
Peeling back the layers of Frank R. Strayer's Now We're in the Air exposes the technical innovation that Frank R. Strayer introduced to the Comedy format. Driven by an uncompromising commitment to Comedy excellence, it stands as the definitive 1927 statement on Comedy identity.
In Now We're in the Air, Frank R. Strayer pushes the boundaries of conventional narrative. The film's unique approach to its subject matter has sparked endless debates and interpretations among cinephiles and critics alike.
| Cinematography | Noir-Inspired |
| Soundtrack | Orchestral |
| Editing | Invisible |
| Art Direction | Kitsch |
Visualizing the convergence of Frank R. Strayer's style and the core Comedy narrative.
Cousins Wally and Ray seek their Scotch granddad's fortune. They get involved with the U. S. flying corps and soar over enemy lines in a balloon. They end up as heroes of the enemy, and sent back as spies. Hijinx ensue.
Decades after its release, Now We're in the Air remains a vital piece of the cinematic puzzle. Its influence can be seen in countless modern works, solidifying Frank R. Strayer's status as a master of the craft in United States and beyond.