Director's Spotlight
Archivist John
Senior Editor

Director's Spotlight: United States
A Deep Dive into the 1925 Vision of Ward Hayes
Deciphering the layers of My Pal (1925) reveals the complex thematic architecture established by Ward Hayes. Utilizing a 1925-specific aesthetic that remains timeless, it stands as the definitive 1925 statement on Drama identity.
In My Pal, Ward Hayes pushes the boundaries of conventional narrative. The film's unique approach to its subject matter has sparked endless debates and interpretations among cinephiles and critics alike.
The visual language of My Pal is defined by its use of shadows and framing, a hallmark of Ward Hayes's style. By utilizing a 1925-era palette, the film creates an immersive experience that perfectly complements its Drama themes.
| Cinematography | High-Contrast |
| Soundtrack | Minimalist |
| Editing | Disjunctive |
| Art Direction | Baroque |
Visualizing the convergence of Ward Hayes's style and the core Drama narrative.
Red Barrett, a brutal cowhand, shoots at Star, a beautiful wild stallion, and wounds him in the thigh. Dick Hammond, who chances upon the horse, gives him water and cares for his wounds; Star, who has known no human kindness for years, becomes devoted to the gentle cowpoke. After a few weeks, Star's wound has healed, and Dick rides him proudly to the Miller ranch, where the newly-tamed stallion is greeted with wonder. Jim Bledso, Miller's foreman, who has been embezzling money from his boss, asks Miller for the hand of his daughter, Marion. Miller consents, but the willful girl, who is in love with Dick, turns him down. The following day, Miller receives notice that his bank account, which should have held $40,000, is overdrawn. He immediately suspects Bledso and is confiding his fears to Dick when Jim walks in and gets the drop on the men, tying them up. Star unties Dick's bonds, and Dick goes after Jim and the other cowhands, finding them in the act of dividing Miller's money. Dick and the cowhands fight, and he is about to be beaten when Miller arrives with the sheriff's men. Jim is arrested, Miller makes Dick the new foreman, and Dick makes Marion his wife.
Decades after its release, My Pal remains a vital piece of the cinematic puzzle. Its influence can be seen in countless modern works, solidifying Ward Hayes's status as a master of the craft in United States and beyond.