
A doctor dreams that he has shot and killed a local gambler. Awakened by a sudden noise, he discovers that the gambler is lying on his living-room floor, shot to death.

body{background:#000;color:#fff;font-family:sans-serif}h2{color:#C2410C}p{margin:1em 0}strong{color:#EAB308}em{color:#0E7490}Ernest Van Pelt’s portrayal of a doctor whose unconscious transgressions manifest as literal crime is a masterclass in existential dread. *Bring Him In* operates in the shadowy realm where Freudi...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Robert Ensminger

Edgar Jones
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"body{background:#000;color:#fff;font-family:sans-serif}h2{color:#C2410C}p{margin:1em 0}strong{color:#EAB308}em{color:#0E7490}Ernest Van Pelt’s portrayal of a doctor whose unconscious transgressions manifest as literal crime is a masterclass in existential dread. *Bring Him In* operates in the shadowy realm where Freudian slips become factual, and the protagonist’s guilt is not merely internalized but externalized through the corpse of a gambler sprawled across his parlor floor. This is no mere t..."
H.H. Van Loan, Thomas Dixon Jr.
United States


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