Recommendations
Senior Film Conservator

The United States-born brilliance of Bring Him In offers a unique poignant storytelling, the profound questions raised in 1921 still require cinematic answers today. Our curated selection of recommendations echoes the very essence of Bring Him In.
In the Pantheon of Drama cinema, Bring Him In to provide a definitive example of Robert Ensminger's stylistic genius.
A doctor dreams that he has shot and killed a local gambler. Awakened by a sudden noise, he discovers that the gambler is lying on his living-room floor, shot to death. Unnerved, he flees to Canada, but the RCMP finds out he's there and sets out to track him down.
Based on the unique poignant storytelling of Bring Him In, our vault has identified these titles as the most compelling follow-up experiences for fans of Drama cinema:
Dir: Eduardo Notari
A crime drama in the Gennariello-series. The police detective in Naples that is confronted with modern gangsters and crime events.
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Dir: Robert Ensminger
Little Bab Fanning, who has always wanted a brother, befriends young Tom Wellsley, who has run away from his wealthy but stern father, Daniel Wellsley, in search of adventure. Tom becomes a newsboy, but the other "newsies," resentful of the wealthy boy's intrusion, plant some stolen fruit in his pockets, and he is sent to the House of Correction. Bab's effort to secure his release proves unsuccessful, and he escapes with a gang of tough boys who subsequently decide to rob his father's house. Refusing to join them, Tom finds work on a farm. Meanwhile, Bab, in search of her friend, goes to the Wellsley home, where she is forced by the boy crooks to break in. Inside, she forgets the gang and befriends Tom's brooding father, and together they find Tom and convince him to return home.
Dir: Dallas M. Fitzgerald
Confidence artist Flossie Golden attempts to fleece foolish but wealthy James Venable with a breach-of-promise suit. Venable's shrewd attorney, Richard Harding, outwits Flossie by proposing that she marry Venable and live on an allowance of $3,000 per year. Flossie is determined to get even with Harding for ruining her plans. In an attempt to con him, she poses as Innocence Page, but falls in love and marries him instead. Larry, Flossie's former accomplice, endeavors to blackmail her with her errant past, but Harding is already cognizant of the facts and Larry fails.
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Dir: Edward LeSaint
When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.
Dir: Robert Ensminger
Marylee Depue's father, John Cromwell Depue, refuses to improve the unsanitary living conditions in his tenements, although many of the tenants have become ill. John's wife Emily, who is involved in charity work only because it is fashionable among her friends, takes Marylee on an excursion through the tenements, where the child sees genuine suffering for the first time in her life. At a ball given by her mother, Marylee dresses as a slum child and collects money for the poor, and later that night she steals away to the tenement to visit Jones, whose wife has contracted typhoid. Determined to help the sick woman, Marylee steals a large basket of food from her own house and gives it to Jones, but he takes her back home when she becomes ill. Overjoyed to learn that Marylee's sickness was brought on by eating too many cakes with jam, John and Emily vow to lower the rents and clean up the tenements.
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Dir: William Parke
Bruce Wendell, the son of West Virginia coal mine owner James Wendell, graduates from West Point and prepares to lead a fighting unit to the front during World War I. As his father lies dying, however, he convinces Bruce to remain at home and guard the mine. Bruce's fiancée Ann Blair assumes that he is a coward and breaks off their engagement, but her brother Bobbie remains Bruce's loyal friend. Meyer, a German agent, persuades railroad president Parrish to refuse to transport Wendell's coal, but when Bruce adamantly refuses to close the mine, the spy's men decide to blow it up. While Ann is being abducted by Meyer, Bobbie is buried in an explosion at the mine. Bruce rescues Bobbie and then sends a plea to Lieutenant Parrish to rescue Ann. Meyer and his gang are captured and Ann renews her vow of love to Bruce.
Dir: Edgar Jones
A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.
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Dir: Victor Heerman
In the gold fields of the Canadian Northwest, a man is falsely accused of a crime and determines that a lookalike is responsible.
Dir: Harry Southwell
A fascinating piece of cinema that shares thematic elements.
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Dir: Robert N. Bradbury
A simple country girl, brutally mistreated by her stepfather, awakens first the sympathy, then the love, of The Boy. The Spider, who lusts after The Girl, makes a bargain with the stepfather and takes her to the city where, kept prisoner, she is soon broken in health and spirit. Cast out and near death, she is taken in by The Boy. Following the demise of The Spider, The Boy takes her to church, where he prays, and after many hours she is restored to health.
View DetailsAnalysis relative to Bring Him In
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| 'A mala nova | Surreal | Layered | 92% Match |
| Wanted: A Brother | Gritty | Layered | 88% Match |
| Blackmail | Surreal | High | 88% Match |
| A Sister to Salome | Gothic | High | 88% Match |
| The Midnight Burglar | Tense | Dense | 88% Match |
This guide was algorithmically generated using the cinematic metadata of Robert Ensminger's archive. Last updated: 6/24/2026.
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