

Look, if you're coming to Comrades expecting anything resembling modern pacing or nuanced performances, you're going to have a rough time. This one is for the dedicated, for those who find a strange beauty in the clunky gears of early cinema, or maybe just really like watching actors try to convey profound despair with...

still_frame


Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Cliff Wheeler

Dallas M. Fitzgerald
Community
Log in to comment.
"Look, if you're coming to Comrades expecting anything resembling modern pacing or nuanced performances, you're going to have a rough time. This one is for the dedicated, for those who find a strange beauty in the clunky gears of early cinema, or maybe just really like watching actors try to convey profound despair with only their eyebrows. It's a curiosity, absolutely, but not one for a casual Tuesday night viewing. If you're into the mechanics of how stories were told back then, or just want to..."
Jean Plannette, Billy Gilbert, Ruth Todd
United States

1935 · IMDb 6.2

