
"One death, and thousands of lives restored to existence. For some useless life a thousand lives saved from decay and death.

Charles A. Taylor, Fyodor Dostoevsky
United States

Moral Arithmetic in a Tenement Inferno Imagine the nickelodeon’s velvet curtain parting to reveal not snow-swept Nevsky Prospect but the clamorous pushcarts of Hester Street, circa 1915. Into this Jacob Riis photograph steps Derwent Hall Caine’s Rodion—eyes like blown fuses, hair a black haystack of insomnia—muttering...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Lawrence B. McGill

Lawrence B. McGill
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" Moral Arithmetic in a Tenement Inferno Imagine the nickelodeon’s velvet curtain parting to reveal not snow-swept Nevsky Prospect but the clamorous pushcarts of Hester Street, circa 1915. Into this Jacob Riis photograph steps Derwent Hall Caine’s Rodion—eyes like blown fuses, hair a black haystack of insomnia—muttering Napoléonic sums: one negligible hag subtracted, multitudes added back to life. The film, shot when America still read Dostoevsky in dime-noise digests, relocates metaphysical guil..."


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