This bottom-of-the-barrel entry from Victor Adamson/Art Mix/Denver Dixon productions finds jobless cowpuncher Jim Kirk riding into Cottonwood, Arizona looking for the man who swindled his father. Old pal Art James tells him that Ed Calder, a shady rancher who moved in a few months ago, might be his man.
Is it worth your time? Honestly, only if you’re a glutton for punishment or a serious historian of bottom-tier cinema. If you enjoy movies where the plot feels like it was written on a napkin during a lunch break, you might find a weird, accidental charm here. If you actually care about things like coherent editing or ...
Comparing the cinematic DNA and archive impact of two defining moments in cult history.
Victor Adamson
Alexander Butler
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"Is it worth your time? Honestly, only if you’re a glutton for punishment or a serious historian of bottom-tier cinema. If you enjoy movies where the plot feels like it was written on a napkin during a lunch break, you might find a weird, accidental charm here. If you actually care about things like coherent editing or actors knowing where to stand, you’ll hate it. This thing is basically the cinematic equivalent of a stale biscuit. It’s dry, it’s crumbly, and you’re mostly just confused as to w..."
Victor Adamson
United States
