Enemies of Women

Amidst the tumultuous twilight of the Russian aristocracy, a scion of privilege, Prince Michael, finds his gilded existence shattered by the imperative of honor. A duel, born of a passionate transgression or perhaps a mere slight, forces his precipitous flight from the motherland, casting him adrift in the fashionable, yet equally treacherous, waters of expatriate European society. It is within this glittering diaspora that he encounters the enigmatic Duchess, a woman whose allure is as potent as her past is shadowed. Their burgeoning romance, a fragile bloom in the hothouse of continental salons, soon wilts under the scorching glare of Michael’s burgeoning possessiveness. He discovers, with a visceral shock that reverberates through his exiled soul, that his beloved is already entangled in a clandestine affair. This revelation ignites a primal jealousy, transforming his initial infatuation into a corrosive obsession, threatening to unravel not only his own precarious sanity but also the delicate social fabric that tenuously holds their world together. The film thus charts a descent into emotional turmoil, where societal expectations clash with raw human passion, and the pursuit of love becomes a perilous journey into the heart of an ‘enemy’ – perhaps not a specific woman, but the very nature of feminine agency and the uncontrollable forces of desire.