
Evening - Night - Morning
Summary
In this shadowy triptych of moral erosion, the narrative unfurls across the temporal boundaries of a single, fateful cycle. Cheston, a plutocrat whose wealth serves as both his armor and his isolation, finds himself ensnared in the ethereal magnetism of Maud, a creature of the demimonde caught between the dictates of high society and the desperation of the underworld. The equilibrium of their relationship is shattered by the parasitic intervention of Brilburn, Maud's brother, whose fraternal bond is merely a veneer for predatory extortion. Under the crushing weight of familial coercion, Maud is compelled to manipulate Cheston into a grand gesture of material excess—the acquisition of a legendary pearl necklace. This artifact of opulence becomes a harbinger of ruin, transforming a gesture of affection into a catalyst for betrayal. The film meticulously charts the descent from the golden glow of the 'Evening' through the claustrophobic, noir-inflected 'Night' of the soul, ultimately culminating in a 'Morning' that offers no redemption, only the cold clarity of consequence in a world where every jewel carries a hidden debt.
Synopsis
Cheston, a millionaire, is looking after Maud, a beautiful woman from the 'demimonde'. Her brother, Brilburn, forces her to ask her rich admirer for an expensive piece of jewelry. Cheston buys a precious pearl necklace.
Director

Conrad Veidt, Otto Gebühr, Gertrude Welcker, Carl von Balla, Bruno Ziener
Rudolf Schneider









