When Wade Cameron, chairman of the Better Plays Society, stops the production of actress Gilda Lamont's first stage success, she attempts to revenge herself by affecting another personality and earning his confidence. He assigns her a role in an improvised production of a new play as an unknown actress, derails her attempt to expose him, and ends by winning her heart.
The Performative Paradox: Re-evaluating Flirting with LoveThe year 1924 marked a pivotal juncture in the evolution of American silent cinema, a period where the industry began to shed its melodramatic infancy for the sophisticated, self-reflexive narratives of the Jazz Age. At the heart of this transition stands Flirti...
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Comparing the cinematic DNA and archive impact of two defining moments in cult history.
John Francis Dillon
John Francis Dillon
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"The Performative Paradox: Re-evaluating Flirting with LoveThe year 1924 marked a pivotal juncture in the evolution of American silent cinema, a period where the industry began to shed its melodramatic infancy for the sophisticated, self-reflexive narratives of the Jazz Age. At the heart of this transition stands Flirting with Love, a film that functions as both a vehicle for the effervescent Colleen Moore and a sharp-edged critique of the moral gatekeeping that plagued the era's artistic landsca..."
Frances Raymond
Joseph F. Poland, Leroy Scott
United States
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