
Bored with her life as the daughter of wealthy parents, Corinne Chilvers answers an ad in the paper for a woman with a lurid past. Hired to secure a declaration of marriage from South American millionaire Nicholas Fenwick, Corinne assumes the identity of a masked dancer to attract Fenwick's attention.

George Elwood Jenks, H.B. Daniel
United States

Corinne Chilvers does not enter the frame—she detonates. One moment the screen is a tableau of overstuffed respectability: mahogany corridors, governesses clutching rosaries, a father who signs cheques the way morticians sign death certificates. The next, a gloved hand flicks a newspaper want-ad across the parquet an...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

John Francis Dillon

John Francis Dillon
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" Corinne Chilvers does not enter the frame—she detonates. One moment the screen is a tableau of overstuffed respectability: mahogany corridors, governesses clutching rosaries, a father who signs cheques the way morticians sign death certificates. The next, a gloved hand flicks a newspaper want-ad across the parquet and everything combusts. The ad, crumpled like yesterday’s bloom, begs for a woman whose résumé of disgrace must be longer than her hemline. Annette DeFoe’s eyes—two mercury coins—fl..."


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