Getting Trimmed

In the frantic world of 'Getting Trimmed', Wanda Wiley portrays a service industry nightmare who functions as a one-woman demolition crew. Operating out of a barbershop where she juggles the roles of barber, boot-black, and manicurist, Wanda treats her clientele less like customers and more like obstacles in a demolition derby. The narrative is a masterclass in escalating chaos: what begins with smashed thumbs and mismatched shoe polish quickly devolves into architectural disaster. After a literal 'hard-headed' encounter involving cement and a police officer's face, the film breaks its domestic tethers and explodes into a high-velocity chase across the city. Wanda’s flight from justice involves hijacked lunch stands, precarious derrick rides, and a soot-stained finale that suggests her character is as indestructible as she is incompetent.