Jimmie poses as a fighter and finds himself booked to appear in the star bout at the boxing carnival for the favorite charity of his employer, the owner of a department store..


The year 1925 was a watershed moment for American cinema, particularly within the realm of the silent comedy. While the industry was beginning to eye the horizon for the advent of sound, the masters of the silent frame were reaching the peak of their visual storytelling capabilities. In this fertile landscape, He Who G...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Lloyd Bacon

Edgar Jones
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"The year 1925 was a watershed moment for American cinema, particularly within the realm of the silent comedy. While the industry was beginning to eye the horizon for the advent of sound, the masters of the silent frame were reaching the peak of their visual storytelling capabilities. In this fertile landscape, He Who Gets Smacked emerged not merely as another slapstick short, but as a sharp, satirical jab at the social structures of the Roaring Twenties. Directed with a frantic yet controlled en..."
Felix Adler, Percy Heath, Al Giebler
United States


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