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Horace Greeley, Jr. (1925): The Comedy Cult Classic You Need to See · IMDb 5.8 | Dbcult

Horace Greeley, Jr.

Name: Horace Greeley, Jr.
Director: Alfred J. Goulding
Released: 1925
Rating: 5.8
Cast: June Marlowe, Harry Langdon

1925Alfred J. GouldingIMDb: 5.8/10

Synopsis

Horace jumps in a caravan car covered with a large tarp, only to discover that a band of hooded rebels are hidden under the canopy. He fights first with the gang's leader, then all join in.

Director

Alfred J. Goulding

Cast

June Marlowe

Harry Langdon

Writers

Alfred J. Goulding

Country

United States

Editor's Choice Analysis

Horace Greeley, Jr. Review: Is This Silent-Era Gem Worth Your Time Today?

Is 'Horace Greeley, Jr.' worth watching today? Short answer: yes, but with significant caveats. This early silent film is an essential historical document for understanding the foundations of action-comedy, particularly for cinephiles and students of early Hollywood. However, it is decidedly not for those seeking moder...

Archivist John

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Filmography

Movies by Alfred J. Goulding

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Never Touched Me

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Heap Big Chief

1919 · IMDb 4.9

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Battle of the Cult

Intelligence Comparison

Comparing the cinematic DNA and archive impact of two defining moments in cult history.

1925

Horace Greeley, Jr.

Alfred J. Goulding

ScoreCult MeterScore

58%Popularity60%

#477Archive Rank#579

1919

The Marathon

Alfred J. Goulding

Analyze Head-to-Head

Knowledge Base

Horace Greeley, Jr. FAQ

The movie Horace Greeley, Jr. was directed by Alfred J. Goulding.

Horace Greeley, Jr. was released in the year 1925.

Horace Greeley, Jr. has an IMDb rating of 5.8 out of 10.

Horace Greeley, Jr. is a movie from United States.

Horace Greeley, Jr. is categorised as Comedy, Short in the cult cinema archive at Dbcult.

Horace Greeley, Jr. features June Marlowe, Harry Langdon.

The screenplay for Horace Greeley, Jr. was written by Alfred J. Goulding.

If you enjoy Horace Greeley, Jr., you might also like The Marathon (1919), The Dutiful Dub (1919), From Hand to Mouth (1919), Ring Up the Curtain (1919).

Yes, Horace Greeley, Jr. (1925) is featured in the Dbcult archive as a curated cult cinema title, known for its Comedy and Short qualities.

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Summary

The narrative of "Horace Greeley, Jr." commences with the titular protagonist's unwitting infiltration of a rebel contingent, covertly concealed within a caravan. His initial, desperate confrontation with the gang's formidable leader quickly escalates into a wider, chaotic skirmish, from which Horace improbably absconds, clutching the leader's distinctive kimono. Mounted on a mule, he flees, relentlessly pursued by the now-mechanized rebel gang. However, the ebb of his courage dramatically reverses with the unexpected appearance of a young woman, a silent, equestrian observer. Inspired by her watchful presence, Horace executes a surprisingly adroit maneuver, employing a rope to ensnare his pursuers, leaving them subdued under her vigilant, rifle-wielding gaze. The film then subtly poses its central, unspoken query: is this impromptu display of valor and public heroism sufficient to win her admiration and forge a lasting connection?

Synopsis

Horace jumps in a caravan car covered with a large tarp, only to discover that a band of hooded rebels are hidden under the canopy. He fights first with the gang's leader, then all join in. He manages to escape with the leader's kimono. He jumps on a mule as the gang pursues by car. Horace gets a dose of courage when he realizes that a young woman on horseback is watching. He captures the gang with a nifty bit of roping, and she holds her rifle on them. He's performed an heroic deed in front of her. Is it enough?

Review Excerpt

"Is 'Horace Greeley, Jr.' worth watching today? Short answer: yes, but with significant caveats. This early silent film is an essential historical document for understanding the foundations of action-comedy, particularly for cinephiles and students of early Hollywood. However, it is decidedly not for those seeking modern pacing, deep character development, or a film that transcends its period limitations without a generous dose of historical context and an appreciation for nascent cinematic forms..."

Archivist John

Read Full Review