Summary
“I my kak liudi” (And We Too, Like People) unfolds as an utterly singular cinematic experiment, transmuting the conventional human melodrama into a deeply affecting narrative tapestry woven by the most unexpected of performers: a diverse ensemble of four-legged and feathered artists. Under the visionary tutelage of Vladimir Durov, both the film's esteemed writer and the architect of its animal 'cast,' a humble household of creatures—dogs, cats, goats, and birds—become the unlikely conduits for a poignant exploration of human emotional complexities. The plot, while deceptively simple in its animalistic rendition, delves into the universal pangs of unrequited affection, the sting of jealousy, and the eventual balm of reconciliation within a domestic setting. A loyal canine, embodying the archetype of a devoted suitor, finds its earnest affections seemingly eclipsed by a cunning feline rival, igniting a series of misadventures, comedic misunderstandings, and moments of genuine dramatic tension, all observed and subtly influenced by the wider animal community. Durov’s unparalleled genius lies in his remarkable ability to coax from these creatures not mere tricks, but nuanced 'performances,' artfully translating their inherent instincts and behaviors into a surprisingly coherent and profoundly resonant allegorical drama that mirrors the intricate dance of human relationships.
