
A bank teller with a talent for forgery is in love with Nina and uses his skills to get closer to her. He saves her father from financial ruin by forging a check and is caught by a shady character who black mails him to work for him.

Hugh Ford, Charles J. Young
United States

Celluloid, like skin, remembers every scar. In Jim the Penman—a 1915 silhouette play directed by the unjustly neglected Hugh Ford—the scars are inked rather than cut, yet they fester all the same. The film unspools inside a world where bank vaults gape like mausoleums and love letters arrive written on promissory notes...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Edwin S. Porter

Edwin S. Porter
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"Celluloid, like skin, remembers every scar. In Jim the Penman—a 1915 silhouette play directed by the unjustly neglected Hugh Ford—the scars are inked rather than cut, yet they fester all the same. The film unspools inside a world where bank vaults gape like mausoleums and love letters arrive written on promissory notes. Our anti-hero, teller-by-day and calligrapher-by-night, wields a fountain pen with the lethal grace of a stiletto dancer; each flourish on counterfeit paper is a pas de deux with..."

1914 · IMDb 5.9
Edwin S. Porter


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