Summary
In the shadowy confines of a secluded Iberian monastery, a psychological maelstrom unfurls around Elena, a young woman ensnared by a perceived madness following a profound, unspecified trauma. Rosita Barco imbues Elena with a haunting fragility, her vacant stares and sudden bursts of lucidity painting a complex portrait of a soul teetering on the precipice of oblivion. The narrative, meticulously crafted by Domènec Ceret, transcends mere melodrama, delving instead into the fractured architecture of memory and the insidious nature of familial betrayal. As the rigid routines of monastic life press down, Elena's fragmented recollections begin to coalesce, revealing not lunacy, but a suppressed truth: a sinister conspiracy orchestrated by figures close to her, perhaps even by the seemingly benevolent Mother Superior (Consuelo Hidalgo) or the inscrutable Father Anselmo (Josep Font). The film masterfully employs visual metaphor, with the monastery's austere walls becoming both a sanctuary and a prison, reflecting Elena's internal struggle between oblivion and an agonizing awakening. Her 'madness' transforms into a desperate, non-verbal quest for justice, culminating in a harrowing confrontation where the true architects of her suffering are exposed, shattering the veneer of sanctity and exposing the dark currents beneath the hallowed stones.
