
Gabrielle (Helene Hallier), an ambitious but innocent would-be young chorine, trumps a music hall publicity stunt to become the new Parisian nightclub Cinderella. But this lighter-than-champagne-bubbles story is only a pretext for LA REVUE DES REVUES's white-hot, non-stop procession of outrageously and scantily attired exotic dancers, showgirls, and acrobats including the Tiller¹s Follies Girls, Ruth Zackey and the Hoffmann Girls, and danseuse russe Lila Nikolska.

Is La Revue des Revues worth watching today? Short answer: absolutely, but with a crucial understanding of its historical context and primary appeal. This film is an essential watch for cinephiles, dance historians, and anyone fascinated by the roaring twenties and the birth of celebrity, particularly those eager to wi...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Joe Francis

Bruno Ziener
Community
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"Is La Revue des Revues worth watching today? Short answer: absolutely, but with a crucial understanding of its historical context and primary appeal. This film is an essential watch for cinephiles, dance historians, and anyone fascinated by the roaring twenties and the birth of celebrity, particularly those eager to witness Josephine Baker's groundbreaking magnetism. It is decidedly not for viewers seeking a robust narrative, complex character development, or modern pacing. For those who approa..."
Edmond Castel
Joe Francis, Clément Vautel
France


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