A dead criminal's daughter falls in love with a small-time crook and tries to get him to reform before he winds up like her father..
If you’re coming to this expecting the bubbly, table-dancing Clara Bow from her usual flapper hits, you’re going to be disappointed. This is Bow trying to prove she can actually act, and for the most part, it works. It’s worth a watch if you’re into the darker side of silent cinema or if you're a completionist for the ...
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Comparing the cinematic DNA and archive impact of two defining moments in cult history.
William A. Wellman
Robert N. Bradbury
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"If you’re coming to this expecting the bubbly, table-dancing Clara Bow from her usual flapper hits, you’re going to be disappointed. This is Bow trying to prove she can actually act, and for the most part, it works. It’s worth a watch if you’re into the darker side of silent cinema or if you're a completionist for the 'It' girl, but if you can't stand long, lingering close-ups of people looking mournfully at furniture, you’ll probably hate it. The opening is actually pretty grim. We see her fat..."
Oliver H.P. Garrett, John Farrow, Ernest Booth, George Marion Jr.
United States
