Summary
A cathedral town at twilight, candle-smoke still clinging to medieval stone, serves as the amphitheatre for Mignon’s slow immolation. She arrives trailing rumours of a dissolved engagement and a dowry reduced to ash, her silk gloves hiding the tremor of a woman who has already pawned tomorrow. Enter the Comte de Montfort—razor-cheeked, velvet-voiced—who stanches his ancestral ruin with promises of rescue that taste of iron. Behind him looms the spectral figure of Raoul, a once-beloved tutor now recast as blackmailer, clutching love-letters inked in a younger, less cautious pulse. What follows is no mere sentimental pas-de-trois but a liturgy of betrayals: midnight vows exchanged beneath skull-lined crypts, a forged marriage ledger planted like a land-mine in the parish archive, a suicide staged on the altar steps so that guilt may be transfused onto the purest bloodstream. By the time Mignon kneels in the confessional, her voice has become a cracked bell; she admits to sins she never committed, believing martyrdom the last currency with which to purchase her lover’s freedom. The film ends on a rain-lashed scaffold where the camera lingers on a single tear rolling down her throat, matching the trajectory of the guillotine’s shadow. Love, the picture whispers, is simply debt by another name, and the reckoning is always public.
Synopsis
Melodrama about love and deceit.
Director
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