Les funérailles de Sir Wilfrid Laurier

Summary

In an era where the flickering frame became the primary witness to history, Léo-Ernest Ouimet’s lens captures the funereal solemnity of a nation in mourning. This actuality film transcends mere reportage, documenting the 1919 procession of Sir Wilfrid Laurier with a gravity that feels both sepulchral and revolutionary. The camera remains a steadfast observer as the cortege winds through the wintry streets of Ottawa, transforming the ephemeral movement of horses, carriages, and mourning masses into a permanent lithograph of Canadian identity. Ouimet’s work functions as a visual eulogy, stripping away the artifice of contemporary melodrama to reveal the raw, unscripted choreography of collective grief. It is a haunting montage of top hats, drifting snow, and the heavy silence of a passing epoch, marking the definitive end of the Victorian ethos in North America.

Synopsis