
A nice young couple moves to a community where the bonds of matrimony are not held in much respect and where it is fashionable to carry on with one not one's spouse..


p{margin:1rem 0}h2,h3{color:#C2410C}a{color:#EAB308;text-decoration:underline}a:hover{color:#0E7490} A champagne bubble of a film—effervescent until it slices your palate. Picture this: title cards inked in Art-Deco gold leaf unfurl like invitations to a soirée you can’t afford. The camera glides past verandas where ...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Lloyd Ingraham

Lloyd Ingraham
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"p{margin:1rem 0}h2,h3{color:#C2410C}a{color:#EAB308;text-decoration:underline}a:hover{color:#0E7490} A champagne bubble of a film—effervescent until it slices your palate. Picture this: title cards inked in Art-Deco gold leaf unfurl like invitations to a soirée you can’t afford. The camera glides past verandas where gramophones croon and every cigarette is held as if it were the baton of a very naughty orchestra. The year is 1920, but the emotional temperature is perennially 3 a.m.—that witchi..."
Luther Reed, Mildred Considine
United States


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