Summary
Carl Theodor Dreyer's "Master of the House" unfolds within the suffocating confines of a household ruled by the despotic Victor, a man whose every utterance is a decree, whose every gesture drips with ingratitude. His long-suffering wife, Ida, portrayed with poignant subtlety by Astrid Holm, navigates this domestic tyranny with the quiet resignation of a martyr, while their children cower beneath his shadow. The suffocating atmosphere, however, is dramatically fractured by the arrival of Karen, a former nanny whose compassionate spirit and shrewd observation ignite a quiet revolution. Witnessing Victor's relentless cruelty and Ida's silent anguish, Karen, alongside Victor’s formidable mother-in-law, played with authoritative presence by Mathilde Nielsen, orchestrates an ingenious, albeit audacious, plan. They strip Victor of the very comforts he so carelessly abuses, forcing him into a stark confrontation with the profound emptiness of his self-imposed isolation and the true cost of his emotional neglect. Through a meticulously calibrated campaign of withdrawal and redirection—where the very fabric of his daily routine is undone—the women compel Victor to confront his own profound lack of empathy, guiding him, through a crucible of personal discomfort and a newfound appreciation for the labor he once scorned, towards a nascent understanding of gratitude and the immeasurable value of the familial bonds he has so callously disregarded.
Synopsis
When a man becomes tyrannical towards his family, the women of the house decide to teach him a lesson in gratitude.
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