Summary
Adelaide Hedlar, incandescent comet of the footlights, glides through Manhattan’s electric nights trailing cigarette smoke and libretto paper, her ambition a diamond needle that scratches every domestic chord to screeching static. Marriage to the unflinching surgeon Mark Ridgewell is merely another stage entrance: she strides down the aisle in silver lamé confidence, then exits the union the instant nursery lullabies threaten to dim her marquee glow. Mark, stung, flees the city’s mercury glare for frontier hush, where wheat fields roll like oceanic manuscripts and Nettie Bryson—sun-browned, hymn-humming—teaches him the dialect of cornbread and constellations. Their vows are whispered under a prairie moon that looks too startled to object. Back East, Adelaide stalls the ardent playwright Wilifred Dean at arm’s length, dangling matrimony like a stage prop until she can confirm Mark’s replacement bride. When gossip columns trumpet the doctor’s rural remarriage, Adelaide boards the transcontinental express armed with sables, scorn, and a plan to reclaim the one spotlight that dared wander offstage. She arrives, Venus in fox fur, to find Nettie’s devotion etched deeper than wagon ruts in drought-hardened clay. In the hush between windmill creaks and cricket psalms, Adelaide confronts the mirror of her own absences, confesses to the innocent girl that the first wife is ‘dead,’ and departs, leaving behind not a rivalry but a resurrection: Mark liberated, Nettie enlightened, and herself newly born into a silence where applause is no longer oxygen.
Synopsis
Popular actress Adelaide Hedlar, cherishes her career and ambitions more than a home and children, much to the chagrin of her husband, Dr. Mark Ridgewell. Following their divorce, Mark goes West, meets country girl Nettie Bryson and marries her. Meanwhile, Adelaide refuses to marry playwright Wilifred Dean until she is certain that her husband has remarried. Upon discovering Mark's marriage, she decides to win him back and subsequently travels West, meets Nettie and determines to regain Mark's love. On the verge of accomplishing her goal, Adelaide realizes Nettie's devotion to her husband and repents, informing the girl that Mark's former wife is dead.
Review Excerpt
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There are films that gossip with you, and films that grab your collar and shake until your illusions clatter like cheap pearls across parquet. My Husband’s Other Wife belongs to the second tribe—an amber-fossilized fever dream from 1920 that still pulses if you hold it to the light just right.
Stanley Olmstead’s screenplay arrives like a perfumed letter slipped under the door of propriety: it flirts, taunts, then slaps you with the moral ambivalence of a woman who refuses to be a footnote in ..."
