The fun centers around a street car conductor who, though badly in debt and engaged to a fair damsel, succumbs to the wiles of a cabaret vamp. She leads him a merry chase, winning a diamond ring partly paid for and a car owned to some extent.
The Proletarian Canvas of the Jazz Age In the pantheon of 1924’s silent offerings, few films capture the manic desperation of the urban working class with as much kinetic energy as Off His Trolley. While the title suggests a whimsical departure from reality, the film is rooted in a surprisingly gritty pecuniary anxi...
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Comparing the cinematic DNA and archive impact of two defining moments in cult history.
Edward F. Cline
Edgar Jones
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" The Proletarian Canvas of the Jazz Age In the pantheon of 1924’s silent offerings, few films capture the manic desperation of the urban working class with as much kinetic energy as Off His Trolley. While the title suggests a whimsical departure from reality, the film is rooted in a surprisingly gritty pecuniary anxiety. Our protagonist, a streetcar conductor portrayed with frantic athleticism by Barney Hellum, is not merely a vessel for slapstick; he is a manifestation of the era’s burgeoning..."
John A. Waldron, Tay Garnett, Hal Conklin, Rob Wagner
United States
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