Summary
A sun-bleached Montana cowboy, Nick McCredie, stumbles upon a moth-eaten primer whose dedication—“For Emily, the prettiest girl in school”—detonates a chain reaction of yearning, subterfuge, and self-sacrifice. The letter he mails eastward lands in the calloused hands of Emily, an orphaned farm girl stranded between threshing seasons and the lecherous guardianship of a man who covets both her land and her body. Nick, ashamed of his own weather-scarred face, dispatches the chiseled likeness of Pen Walton, his rakish confidant whose grin could sell moonshine to a preacher. Correspondence flares into epistolary courtship; vows are traded in ink; yet when death empties the farmhouse and the guardian’s ring looms, Emily flees westward carrying only a tintype lie. Nick meets her train, confesses—without confessing—by calling himself “Andy,” then recoils at the tremor of disappointment in her eyes. Betrayal ricochets: Walton rustles horses, plants Nick’s glove like a signature in blood, and kidnaps Emily across the Absaroka ridges. She vaults from captivity onto the very stolen stallion meant to seal her ruin, galloping through slate-blue dusk to cut the noose already cinched around Nick’s throat. In the hush before the hangman’s drop, identities collapse like card houses; the face in the photograph dissolves into the flesh-and-blood man who wrote sonnets on feed-sack paper. What remains is a marriage contracted not by illusion but by the hard-won honesty of two silhouettes outlined against a frontier sunrise.
Synopsis
When cowboy Nick McCredie notices in a second-hand book an inscription to "Emily, the prettiest girl in school," he writes to her and learns that she is a lonely Eastern farm girl living with her grandmother. Instead of sending his own picture to her, Nick encloses a photo of his handsome friend Pen Walton. After Nick sees Walton stealing two horses, Nick agrees to keep quiet, when Walton promises to reform. Meanwhile, Emily's grandmother dies, and her new guardian tries to force her to marry him. She writes to Nick, who proposes by letter. Nick meets her, but identifies himself as "Andy," and when she says she would be disappointed if Nick was not as handsome as his picture, he shows her the way to Walton, and rides off alone. After Walton rustles another horse and plants Nick's glove as evidence, he abducts Emily. She escapes, and riding the stolen horse, she leads the rest to the ranch in time to stop Nick's hanging. After the real identities are revealed, Nick and Emily marry.
Review Excerpt
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The first time I projected Rustling a Bride—a 35-mm nitrate roll salvaged from a decommissioned church in Helena—the carbon arc flickered like a dying star, and Edith M. Kennedy’s intertitles hovered in the smoky dark like accusations. What kind of Western begins with a book, not a six-gun? A sublime one, it turns out. Kennedy’s screenplay weaponizes literacy itself: the inscription that detonates the plot is not a land deed or a wanted poster but a sentimental couplet scrawled on a flyleaf. Fr..."
