One of the two dozen or more Canadian-produced (usually by Kenneth J. Bishop) films distributed by Columbia circa 1935-39 in order to comply with (and circumvent) the British-Quota Law that basically required a large percentage of the cast and crew of a small percentage of the total films distributed by American film companies to the UK had to be comprised of British subjects and shot on British or Dominion soil.

Is this thing worth a look? Honestly, it depends on how much you love that specific, dusty crackle of 1930s cinema. If you're a fan of old-school B-movies, Secret Patrol is a solid way to kill an hour. If you need tight, logical plotting and modern pacing, you will probably hate every single second of it. It’s not exac...


Comparing the cinematic DNA and archive impact of two defining moments in cult history.

David Selman

Robert N. Bradbury
Community
Log in to comment.
"Is this thing worth a look? Honestly, it depends on how much you love that specific, dusty crackle of 1930s cinema. If you're a fan of old-school B-movies, Secret Patrol is a solid way to kill an hour. If you need tight, logical plotting and modern pacing, you will probably hate every single second of it. It’s not exactly The Golem: The Legend of Prague when it comes to ambition, but it has a weird, scrappy energy that I kinda liked. The whole premise starts with a horse showing up without a ri..."

Finis Barton
Peter B. Kyne, Robert Watson, J.P. McGowan
Canada

