Jack and his party, arriving in France, escape the native reporters by disguising in beards. Later, Jack, mistaking an Apache dance for an attack, rescues the dancer's partner from an apparent assault, getting in a fight with, unknown to either of them, his forthcoming opponent.


Ah, the roaring twenties! A time of flappers, jazz, and the nascent art of cinema finding its voice, even when that voice was entirely silent. Amidst this vibrant backdrop arrives a gem like So This Is Paris (1926), a film that might not be as universally celebrated as some of its contemporaries, yet offers a deligh...


Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Erle C. Kenton

Wilfred Lucas
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" Ah, the roaring twenties! A time of flappers, jazz, and the nascent art of cinema finding its voice, even when that voice was entirely silent. Amidst this vibrant backdrop arrives a gem like So This Is Paris (1926), a film that might not be as universally celebrated as some of its contemporaries, yet offers a delightful romp through physical comedy and misunderstanding. Penned by the imaginative Gerald Beaumont and featuring an intriguing ensemble including the legendary pugilist Jack Dempsey..."
George Ovey
Gerald Beaumont
United States


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