Summary
In a frantic ballet of social anxiety and textile-based misfortune, Paul finds himself on the precipice of his nuptials, only to be plunged into a labyrinthine quest for basic decency. The narrative functions as a kinetic exploration of the 'nightmare of exposure,' where the protagonist’s physical vulnerability mirrors his internal trepidation regarding the impending domestic yoke. As the clock ticks toward the altar, a series of increasingly absurd mishaps strips him of his attire, forcing a desperate odyssey through urban spaces where every shadow is a sanctuary and every passerby a potential judge. The film transcends mere slapstick, evolving into a poignant, if hilarious, meditation on the fragility of the social persona when divorced from its sartorial armor. Jobyna Ralston provides a radiant counterpoint to the escalating chaos, while James Parrott’s performance captures the quintessential desperation of a man whose dignity is hanging by a literal thread—or lack thereof.
Synopsis
Paul is about to be married but loses his clothes.
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