
Madeline Gray, a young San Francisco woman spending the winter in the tropics, is suddenly called home. Accompanied by her friend Walter Maxwell, she books passage on a schooner owned by Bucko McAllister--aka "The Brute Master" because of his brutal, tyrannical behavior.

A lantern-slide of a title card flickers: "He knew no law but the lash." Already the audience of 1923 senses it is not about to nibble polite melodrama; it is about to be flogged by it. London’s screenplay—equal parts Stevenson and sadistic sociology—lets the camera crawl along the schooner’s gunwale like a voyeur wi...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Roy Marshall

Edward LeSaint
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" A lantern-slide of a title card flickers: "He knew no law but the lash." Already the audience of 1923 senses it is not about to nibble polite melodrama; it is about to be flogged by it. London’s screenplay—equal parts Stevenson and sadistic sociology—lets the camera crawl along the schooner’s gunwale like a voyeur with scurvy, pausing on shackles that dangle like black question marks. Hobart Bosworth, directing himself, plays McAllister with a face that seems carved from cured tobacco: eyes se..."
Margaret Livingston
Charmian London, Hobart Bosworth, Ralph Dixon
United States


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